Exhibitions

COVID-19 UPDATE

15 March 2020

Exhibitions

DIGITAL WINDOW GALLERY: OPEN SOURCE #16 – PAULINA KOROBKIEWICZ

1 March - 31 March 2020

Main Exhibition Future Exhibitions

Postponed: The Time We Call Our Own

3 April 2020

Exhibitions Past Exhibitions

DIGITAL WINDOW GALLERY: OPEN SOURCE #15 – JONATHAN LYNCH

1 February - 29 February 2020

Projects

PLATFORM Issue 01

21 January 2020

LAUNCH: THE DARK FIGURE*

20 February - 20 February 2020

Past Exhibitions

DIGITAL WINDOW GALLERY: OPEN SOURCE #14 – SAHAN NUHOGLU

16 January 2020

Exhibitions

VISUAL RIGHTS

16 January - 22 March 2020

Exhibitions

THE DARK FIGURE*

20 February - 22 March 2020

Past Exhibitions

EXPOSED

3 April 2020

Exhibitions Past Exhibitions

DIGITAL WINDOW GALLERY: NOW, FOR THE FUTURE – OPEN SOURCE X SHUTTER HUB

1 November - 30 November 2019

Brilliant City 中文

30 October - 16 November 2019

Exhibitions

Tong Yan Gai — Chinatown—中文

7 October - 24 October 2019

Exhibitions

HE 中文

17 October - 21 December 2019

Exhibitions

JUMP! 中文

4 October - 26 October 2019

Exhibitions

A Room of Our Own: a Fast Forward Women in Photography Exhibition 中文

17 October - 21 December 2019

Exhibitions

DINU LI: ANATOMY OF PLACE — (中文)

17 October - 21 December 2019

Exhibitions

Peer to Peer 中文

17 October - 22 December 2019

Exhibitions Past Exhibitions

DIGITAL WINDOW GALLERY: OPEN SOURCE 12 – KATHY ANNE LIM

1 October - 31 October 2019

LOOK PHOTO BIENNIAL / SATELLITE

17 October - 21 December 2019

JUMP! — Curated by Sian Bonnell

4 October - 26 October 2019

UCLan: Brilliant City

30 October - 16 November 2019

Exhibitions

Derek Man & Tobias Brebner: Tong Yan Gai — Chinatown

7 October - 24 October 2019

Exhibitions

YAN WANG PRESTON: HE

17 October - 21 December 2019

Exhibitions

A Room of Our Own: a Fast Forward Women in Photography Exhibition

17 October - 21 December 2019

Exhibitions

Dinu Li: The Anatomy of Place

17 October - 21 December 2019

Past Exhibitions

NORTH: FASHIONING IDENTITY

14 September - 21 December 2019

Past Exhibitions

Peer to Peer

17 October - 22 December 2019

Past Exhibitions

SIXTEEN at Ellesmere Port Library

19 September - 27 September 2019

WE ARE KIRKBY

23 September - 16 November 2019

Past Exhibitions

DIGITAL WINDOW GALLERY: OPEN SOURCE 11 – NATHAN CUTLER

1 September - 30 September 2019

Exhibitions Past Exhibitions

DIGITAL WINDOW GALLERY: OPEN SOURCE 10 – JOCELYN ALLEN

1 August - 31 August 2019

Exhibitions

A Portrait Of…

2 August - 29 September 2019

Exhibitions Past Exhibitions

DIGITAL WINDOW GALLERY: OPEN SOURCE 09 – ARABELLE ZHUANG

1 July - 31 July 2019

Past Exhibitions

Close Attention

11 July - 21 July 2019

Exhibitions Past Exhibitions

New York Scene/Unseen: Keith Haring and Friends

14 June - 7 July 2019

Past Exhibitions

DIGITAL WINDOW GALLERY: OPEN SOURCE 08 – DENISA N. MOLNAR

1 June - 30 June 2019

Exhibitions

DIGITAL WINDOW GALLERY: TRANSFORMATIVE MOMENTS – STEPHANIE WYNNE

1 April - 7 July 2019

Past Exhibitions

DIGITAL WINDOW GALLERY: OPEN SOURCE 07 – MARIE SMITH

1 May - 31 May 2019

Projects

VR — Wake Up Together (Ren Hang & Where Love is Illegal)

23 April 2019

Exhibitions

Belonging: Students of Whitby High School

18 April - 28 April 2019

Exhibitions Past Exhibitions

DIGITAL WINDOW GALLERY: OPEN SOURCE 06 – MARIA ANSELL

1 April - 30 April 2019

Past Exhibitions

DIGITAL WINDOW GALLERY: OPEN SOURCE 05 – ELIZABETH GLEAVE

1 March - 31 March 2019

Past Exhibitions

DIGITAL WINDOW GALLERY: OPEN SOURCE 04 – LEIA MORRISON

1 February - 28 February 2019

Past Exhibitions

Here And Now

19 February - 23 February 2019

Exhibitions

PAULINE ROWE & DAVE LOCKWOOD – THE ALLOTMENTS

29 August - 28 September 2019

Exhibitions

TABITHA JUSSA & JOHN DAVIES – CAN’T SEE THE WOOD FOR THE TREES

6 June - 4 July 2019

Exhibitions

Stephanie Wynne and Stephen McCoy — Triangulation

18 July - 24 August 2019

Exhibitions

Yan Wang Preston — Forest

6 June - 28 September 2019

Exhibitions

LIZ HINGLEY – SHANGHAI SACRED

6 June - 25 September 2019

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Mishka Henner: Precious Commodities

2 March - 29 April 2013

Born in Brussels in 1976, Manchester-based Mishka Henner’s work explores and subverts the value of photography in today’s media-saturated world. His images derive from a multitude of sources – the Internet, satellite imagery and television, as well as the precious canon of photography, calling to question the idea of authorship and challenging traditional associations of photography through a singular viewpoint.

Henner’s exhibition in the main galleries at Open Eye Gallery presents new work exhibited for the first time – Levelland Oil Field  and Feedlots (2012-2013). For these works Henner has captured meticulously detailed aerial photographs of immense cattle feedlot farms and oil and gas fields in the US, seamlessly compositing multiple images together to create ultra-high definition images which are printed large format.

The exhibition also presents Henner’s controversial new work Less Américains (2012) in which Henner erases Robert Frank’s highly influential 1958 bookLes Américains (considered by many to be the ‘bible’ of American photography). Less Américains is shown alongside a number of other works which investigate the photo book as a form, such as Photography Is (2010-2013) which collects thousands of found phrases beginning with the words “Photography is” from a wealth of sources including books, technical manuals, blogs, newspapers and scientific journals.

Click here to explore Open Eye Gallery’s online resource featuring items and discussion relating to key themes within Henner’s work.

Born in Brussels in 1976, Manchester-based Mishka Henner’s work explores and subverts the value of photography in today’s media-saturated world. His images derive from a multitude of sources – the Internet, satellite imagery and television, as well as the precious canon of photography, calling to question the idea of authorship and challenging traditional associations of photography through a singular viewpoint.

Henner’s exhibition in the main galleries at Open Eye Gallery presents new work exhibited for the first time – Levelland Oil Field  and Feedlots (2012-2013). For these works Henner has captured meticulously detailed aerial photographs of immense cattle feedlot farms and oil and gas fields in the US, seamlessly compositing multiple images together to create ultra-high definition images which are printed large format.

The exhibition also presents Henner’s controversial new work Less Américains (2012) in which Henner erases Robert Frank’s highly influential 1958 bookLes Américains (considered by many to be the ‘bible’ of American photography). Less Américains is shown alongside a number of other works which investigate the photo book as a form, such as Photography Is (2010-2013) which collects thousands of found phrases beginning with the words “Photography is” from a wealth of sources including books, technical manuals, blogs, newspapers and scientific journals.

Click here to explore Open Eye Gallery’s online resource featuring items and discussion relating to key themes within Henner’s work.

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