Exhibitions

COVID-19 UPDATE

15 March 2020

Exhibitions

DIGITAL WINDOW GALLERY: OPEN SOURCE #16 – PAULINA KOROBKIEWICZ

1 March - 31 March 2020

Main Exhibition Future Exhibitions

Postponed: The Time We Call Our Own

3 April 2020

Exhibitions Past Exhibitions

DIGITAL WINDOW GALLERY: OPEN SOURCE #15 – JONATHAN LYNCH

1 February - 29 February 2020

Projects

PLATFORM Issue 01

21 January 2020

LAUNCH: THE DARK FIGURE*

20 February - 20 February 2020

Past Exhibitions

DIGITAL WINDOW GALLERY: OPEN SOURCE #14 – SAHAN NUHOGLU

16 January 2020

Exhibitions

VISUAL RIGHTS

16 January - 22 March 2020

Exhibitions

THE DARK FIGURE*

20 February - 22 March 2020

Past Exhibitions

EXPOSED

3 April 2020

Exhibitions Past Exhibitions

DIGITAL WINDOW GALLERY: NOW, FOR THE FUTURE – OPEN SOURCE X SHUTTER HUB

1 November - 30 November 2019

Brilliant City 中文

30 October - 16 November 2019

Exhibitions

Tong Yan Gai — Chinatown—中文

7 October - 24 October 2019

Exhibitions

HE 中文

17 October - 21 December 2019

Exhibitions

JUMP! 中文

4 October - 26 October 2019

Exhibitions

A Room of Our Own: a Fast Forward Women in Photography Exhibition 中文

17 October - 21 December 2019

Exhibitions

DINU LI: ANATOMY OF PLACE — (中文)

17 October - 21 December 2019

Exhibitions

Peer to Peer 中文

17 October - 22 December 2019

Exhibitions Past Exhibitions

DIGITAL WINDOW GALLERY: OPEN SOURCE 12 – KATHY ANNE LIM

1 October - 31 October 2019

LOOK PHOTO BIENNIAL / SATELLITE

17 October - 21 December 2019

JUMP! — Curated by Sian Bonnell

4 October - 26 October 2019

UCLan: Brilliant City

30 October - 16 November 2019

Exhibitions

Derek Man & Tobias Brebner: Tong Yan Gai — Chinatown

7 October - 24 October 2019

Exhibitions

YAN WANG PRESTON: HE

17 October - 21 December 2019

Exhibitions

A Room of Our Own: a Fast Forward Women in Photography Exhibition

17 October - 21 December 2019

Exhibitions

Dinu Li: The Anatomy of Place

17 October - 21 December 2019

Past Exhibitions

NORTH: FASHIONING IDENTITY

14 September - 21 December 2019

Past Exhibitions

Peer to Peer

17 October - 22 December 2019

Past Exhibitions

SIXTEEN at Ellesmere Port Library

19 September - 27 September 2019

WE ARE KIRKBY

23 September - 16 November 2019

Past Exhibitions

DIGITAL WINDOW GALLERY: OPEN SOURCE 11 – NATHAN CUTLER

1 September - 30 September 2019

Exhibitions Past Exhibitions

DIGITAL WINDOW GALLERY: OPEN SOURCE 10 – JOCELYN ALLEN

1 August - 31 August 2019

Exhibitions

A Portrait Of…

2 August - 29 September 2019

Exhibitions Past Exhibitions

DIGITAL WINDOW GALLERY: OPEN SOURCE 09 – ARABELLE ZHUANG

1 July - 31 July 2019

Past Exhibitions

Close Attention

11 July - 21 July 2019

Exhibitions Past Exhibitions

New York Scene/Unseen: Keith Haring and Friends

14 June - 7 July 2019

Past Exhibitions

DIGITAL WINDOW GALLERY: OPEN SOURCE 08 – DENISA N. MOLNAR

1 June - 30 June 2019

Exhibitions

DIGITAL WINDOW GALLERY: TRANSFORMATIVE MOMENTS – STEPHANIE WYNNE

1 April - 7 July 2019

Past Exhibitions

DIGITAL WINDOW GALLERY: OPEN SOURCE 07 – MARIE SMITH

1 May - 31 May 2019

Projects

VR — Wake Up Together (Ren Hang & Where Love is Illegal)

23 April 2019

Exhibitions

Belonging: Students of Whitby High School

18 April - 28 April 2019

Exhibitions Past Exhibitions

DIGITAL WINDOW GALLERY: OPEN SOURCE 06 – MARIA ANSELL

1 April - 30 April 2019

Past Exhibitions

DIGITAL WINDOW GALLERY: OPEN SOURCE 05 – ELIZABETH GLEAVE

1 March - 31 March 2019

Past Exhibitions

DIGITAL WINDOW GALLERY: OPEN SOURCE 04 – LEIA MORRISON

1 February - 28 February 2019

Past Exhibitions

Here And Now

19 February - 23 February 2019

Exhibitions

PAULINE ROWE & DAVE LOCKWOOD – THE ALLOTMENTS

29 August - 28 September 2019

Exhibitions

TABITHA JUSSA & JOHN DAVIES – CAN’T SEE THE WOOD FOR THE TREES

6 June - 4 July 2019

Exhibitions

Stephanie Wynne and Stephen McCoy — Triangulation

18 July - 24 August 2019

Exhibitions

Yan Wang Preston — Forest

6 June - 28 September 2019

Exhibitions

LIZ HINGLEY – SHANGHAI SACRED

6 June - 25 September 2019

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Kohei Yoshiyuki: Liverpool Biennial 2012

15 September - 25 November 2012

First exhibited in Tokyo in 1979, Kohei Yoshiyuki’s (Japan, b. 1946) twin projects The Park and Love Hotel ignited furious debate about photography’s relationship with voyeurism and surveillance.

Yoshiyuki was a young commercial photographer in Tokyo in the early 1970s when he and a colleague walked through Chuo Park in Shinjuku one night. They noticed a couple on the ground, then spectators lurking in the bushes. Fascinated by these illicit games of cat and mouse, Yoshiyuki spent the next six months becoming a participant. “To photograph the voyeurs”, he later wrote, “I needed to be considered one of them”. Returning with his camera, loaded with infrared flashbulbs and film, he photographed in three different Tokyo parks over several years. The resulting body of work captures heterosexual and homosexual couples engaged in sexual activity, and the peeping toms who stalked them.

Open Eye Gallery’s installation echoes the original exhibition in 1979 at Komai Gallery in Tokyo, where prints were shown inside a darkened space, illuminated by the torches of visitors.

Alongside The Park Open Eye Gallery presents a selection of works from Yoshiyuki’s companion series Love Hotel (1978). These photographs are taken from sex tapes made by the clients of an infamous Tokyo book-by-the-hour hotel. “The grainy vagueness of these still images… alternately invites and frustrates, underscoring all the more forcefully that the truth about eros lies not in what you see, but, ultimately, in what you fail to” (Artforum, 2007).

This is the first UK solo exhibition of Kohei Yoshiyuki and forms part of Liverpool Biennial 2012 – The Unexpected Guest.

First exhibited in Tokyo in 1979, Kohei Yoshiyuki’s (Japan, b. 1946) twin projects The Park and Love Hotel ignited furious debate about photography’s relationship with voyeurism and surveillance.

Yoshiyuki was a young commercial photographer in Tokyo in the early 1970s when he and a colleague walked through Chuo Park in Shinjuku one night. They noticed a couple on the ground, then spectators lurking in the bushes. Fascinated by these illicit games of cat and mouse, Yoshiyuki spent the next six months becoming a participant. “To photograph the voyeurs”, he later wrote, “I needed to be considered one of them”. Returning with his camera, loaded with infrared flashbulbs and film, he photographed in three different Tokyo parks over several years. The resulting body of work captures heterosexual and homosexual couples engaged in sexual activity, and the peeping toms who stalked them.

Open Eye Gallery’s installation echoes the original exhibition in 1979 at Komai Gallery in Tokyo, where prints were shown inside a darkened space, illuminated by the torches of visitors.

Alongside The Park Open Eye Gallery presents a selection of works from Yoshiyuki’s companion series Love Hotel (1978). These photographs are taken from sex tapes made by the clients of an infamous Tokyo book-by-the-hour hotel. “The grainy vagueness of these still images… alternately invites and frustrates, underscoring all the more forcefully that the truth about eros lies not in what you see, but, ultimately, in what you fail to” (Artforum, 2007).

This is the first UK solo exhibition of Kohei Yoshiyuki and forms part of Liverpool Biennial 2012 – The Unexpected Guest.

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