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100 Years of The Wasteland

17 November 2022

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National Poetry Day Celebration: The Environment

6 October 2022

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(Re)Production: Parenthood and the Art World

16 June - 3 July 2022

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In Conversation: Mindful Photo Project

2 July 2022

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Mindful Photo Project @ HMP Thorncross

9 June - 6 July 2022

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Student Exhibitions: BA Hons Photography with Social Practice – UCEN, Manchester, with Open Eye Gallery

2 July - 5 July 2022

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Student Exhibitions: Whitby High School

23 June - 28 June 2022

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Student Exhibitions: Hugh Baird University Centre

18 June - 21 June 2022

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VR: Follow The River, Follow The Thread

1 April - 12 June 2022

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Sustainability – Climate Change and the impact from Industry

17 May 2022

Open Source Exhibitions

Open Source #22: Bags For Life – Luke Saxon

1 May - 31 May 2022

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VR: LOOK Climate Lab 2022

13 January - 20 March 2022

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An evening with Maytree Poets

28 April 2022

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Recovery in Focus & Inside Stories

14 May 2022

Past Events

Homo Humour film screening & Q&A

7 May 2022

Past Events

Painting the Mersey in 17 Canvases Coast to Coast to Coast

21 May 2022

Exhibitions Open Source Exhibitions

Open Source #21: Ancestral Folk – Eunice Pais

1 April - 30 April 2022

Exhibitions Main Exhibition

Follow The River, Follow The Thread

1 April - 12 June 2022

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Saturday Girl About Town at Castlefield Gallery New Art Spaces: Wigan

28 January 2022

Past Exhibitions

WE

31 March - 1 May 2022

Past Events

Who Cares? – Symposium exploring the role of art & design in health & care

26 April 2022

Past Events

Socially Engaged Photography Network: North West regional meet up event ‘Co-authoring the Collection’ 

28 April 2022

HOPE COMMUNITY GARDEN/ FEEDING LIVERPOOL: REIMAGINING YOUR FUTURE FOOD NEIGHBOURHOOD

9 March 2022

SESSION 3: DERELICTION TO DELICIOUS

11 March 2022

PELOTON COOP: JOY RIDE

18 March 2022

Exhibitions

DIGITAL WINDOW GALLERY: Grow Your Own

23 February - 20 March 2022

Taking Root Bootle – Growing on the Streets: Involving local residents In greening up public spaces

10 March 2022

Liverpool Food Growers Network: Panel Discussion

12 March 2022

Past Events

ECOSYSTEM 2: OPEN CALL FOR PARTICIPANTS

19 February - 20 March 2022

SCOUSE FLOWERHOUSE

2 March - 5 March 2022

Session 3: Windowsill Growing with Croxteth Community Garden

12 March 2022

Taster Menu

11 March 2022

Session 2: Dereliction to delicious

11 March 2022

Session 2: Introduction to beekeeping

11 March 2022

Session 1: Dereliction to delicious

11 March 2022

Session 1: Introduction to Beekeeping

11 March 2022

Session 2: Windowsill Growing with Croxteth Community Garden

10 March 2022

Session 2: Relax and Grow

10 March 2022

Session 1: Windowsill Growing with Croxteth Community Garden

10 March 2022

Session 1: Relax and Grow

10 March 2022

Compost Works – An Introduction into Composting

9 March 2022

Hope Community Garden/ Feeding Liverpool: Reimagining your Future Food Neighbourhood

9 March 2022

Liverpool Food Growers Network: Rethinking our Food System

9 March - 12 March 2022

Exhibitions Past Exhibitions

VR: NOVUS: Restricted Views – Creative Outlooks

1 December - 12 December 2021

Exhibitions Past Exhibitions

VR: Collective Matters

1 October - 12 December 2021

Exhibitions

Digital Window Gallery: On the Brink

27 January - 19 March 2022

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Open Source #20: Matt Dunne

9 February - 28 February 2022

Arts Groupie Workshops

26 February - 19 March 2022

TREE: Live Storytelling Session

19 March 2022

Horti-Culture Sharing Sessions with Arts Groupie and Incredible Edible

19 March - 9 March 2022

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Flat Death: Edgar Martins & Jordan Baseman

15 January - 3 April 2016

Through photographic projects by Edgar Martins and Jordan Baseman, this exhibition presents two series of work that invite us to reflect on how we deal with death, as a society and individually.

Edgar Martins attempts to understand our relationship to death and photography’s role in this process through a variety of images. Jordan Baseman’s exhibition of memorial images sits within a long tradition of photography being used by families to remember their loved ones after they have passed.

In shaping the exhibition we have been in consultation with leading individuals & mental health organisations to ensure an open dialogue. Throughout the exhibition, we will be holding events considering the ethical responsibilities and systems of public beliefs around the work presented  and sharing the findings.

The exhibition’s title, Flat Death, is taken from Roland Barthes’ Camera Lucida which considers the photograph as a fixed record of a moment in time.

 

Edgar Martins presents a selection of images from his project titled,Siloquies and Soliloquies on death, life and other interludes.  

Martins has worked closely with the Institute of Legal Medicine and Forensic Science in Portugal to create the work, which includes challenging images relating to death. Presented are photographs of forensic evidence, archival material and Martins’ own reflections.

Whilst upholding respect for the deceased and the bereaved, Martins raises the importance of discussing why our depiction and understanding of death creates tensions when spoken about in public.

 

Jordan Baseman presents one part of his 2013 exhibition, Deadness. Projected 35mm slides collected by the artist show images taken by families of recently deceased loved ones, or their funerals.

The project explores the historical, cultural and sociological relationship between photographic portraiture and embalming. The embalmer’s attention focuses on preparation for the moment relatives and loved ones view the deceased, to leave the bereaved with a peaceful image and memory of the deceased.

Interviews and discussion are central to Baseman’s creative process, this work focuses on the experiences of Dr John Troyer – Deputy Director for the Centre for Death and Society at the University of Bath.

Through photographic projects by Edgar Martins and Jordan Baseman, this exhibition presents two series of work that invite us to reflect on how we deal with death, as a society and individually.

Edgar Martins attempts to understand our relationship to death and photography’s role in this process through a variety of images. Jordan Baseman’s exhibition of memorial images sits within a long tradition of photography being used by families to remember their loved ones after they have passed.

In shaping the exhibition we have been in consultation with leading individuals & mental health organisations to ensure an open dialogue. Throughout the exhibition, we will be holding events considering the ethical responsibilities and systems of public beliefs around the work presented  and sharing the findings.

The exhibition’s title, Flat Death, is taken from Roland Barthes’ Camera Lucida which considers the photograph as a fixed record of a moment in time.

 

Edgar Martins presents a selection of images from his project titled,Siloquies and Soliloquies on death, life and other interludes.  

Martins has worked closely with the Institute of Legal Medicine and Forensic Science in Portugal to create the work, which includes challenging images relating to death. Presented are photographs of forensic evidence, archival material and Martins’ own reflections.

Whilst upholding respect for the deceased and the bereaved, Martins raises the importance of discussing why our depiction and understanding of death creates tensions when spoken about in public.

 

Jordan Baseman presents one part of his 2013 exhibition, Deadness. Projected 35mm slides collected by the artist show images taken by families of recently deceased loved ones, or their funerals.

The project explores the historical, cultural and sociological relationship between photographic portraiture and embalming. The embalmer’s attention focuses on preparation for the moment relatives and loved ones view the deceased, to leave the bereaved with a peaceful image and memory of the deceased.

Interviews and discussion are central to Baseman’s creative process, this work focuses on the experiences of Dr John Troyer – Deputy Director for the Centre for Death and Society at the University of Bath.

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