Events

Yarn Spinning Workshop

19 February 2022

Events

Tales of Care and Repair: Upcycling Workshop

12 February 2022

Events

B4Biodiversity: Interactive workshop on using hive by products

13 March 2022

Exhibitions

Liverpool Arab Arts Festival: 22

19 January - 13 February 2022

Events

Hope and Fear: Environments and Stress

30 March 2022

Events

Hope and Fear: Climate Change and the Arts

22 March 2022

Events

Hope and Fear: Narratives of Extinction 1850-2050

7 March 2022

Events

Hope and Fear: Art, Photography, and Extraction

1 March 2022

Events

Hope and Fear: China’s Environmental Values

15 February 2022

Events

Hope and Fear: Colonial Interventions

8 January 2022

Events

Hope and Fear: Indigenous Perspectives

1 February 2022

Events

Hope and Fear: Climate Crisis

25 January 2022

Events

Are You Living Comfortably?: Creating a Culture of Energy Efficiency In Our Homes

28 January 2022

Events

Peloton: Joy Ride

18 February 2022

Events

Read Now Write Now: Climate Champions Reading Event

17 March 2022

Events

Read Now Write Now: Climate Champions Young People’s Writing Workshop pt.2

6 February 2022

Events

Read Now Write Now: Climate Champions Young People’s Writing Workshop pt.1

30 January 2022

Events

Read Now Write Now: Climate Champions Writing Workshop – Adults part 2

27 February 2022

Events

Read Now Write Now: Climate Champions Writing Workshop – Adults part 1

20 February 2022

Events

Climate Cafe: Session 3

9 March 2022

Events

Climate Cafe: Session 2

16 February 2022

Events

Climate Cafe: Session 1

26 January 2022

Events

Land Art – How to approach Environmental Photography Projects with Hanna-Katrina Jędrosz

23 February 2022

Events

Mersey Green Map Workshop 2 – Finding Green Local Businesses on Merseyside

16 March 2022

Events

Mersey Green Map Workshop 1 – Finding Green Local Businesses on Merseyside

9 February 2022

Events

Mersey Green Maps: Start-ups and new Voluntary Groups Workshop

4 February 2022

Events

Land art – Messages and Manifestos: Photography as Activism with Louis Quail

10 February 2022

Events

Growing Sudley CIC: Nature’s Apothecary Workshop 3

6 March 2022

Events

Growing Sudley CIC: Nature’s Apothecary Workshop 2

13 February 2022

Events

Growing Sudley CIC: Nature’s Apothecary Workshop 1

23 January 2022

LOOK Events Exhibitions Main Exhibition

LOOK Climate Lab 2022

13 January - 20 March 2022

Exhibitions

DIGITAL WINDOW GALLERY: Today, Tomorrow and Somewhere In-between

10 November - 12 December 2021

Exhibitions

DIGITAL WINDOW GALLERY: Make It Snappy

1 December - 12 December 2021

Exhibitions

My Message to You

1 December - 17 December 2021

Past Events

EXHIBITION LAUNCH: MY MESSAGE TO YOU

3 December 2021

Past Events

Open Rooms #19: Moral Turpitude

9 December 2021

Past Events

Open Rooms #18: FireHawks

18 November 2021

Exhibitions Open Source Exhibitions

OPEN SOURCE 019: DREW FINDLAY

3 November - 30 November 2021

Exhibitions

VR: Whose Land Is It?

8 July 2021

Projects

Mccoy Wynne to exhibit at COP26 Universities’ Innovation Showcase

18 October 2021

Past Events

Collective Matters: Meet and Greet

22 October 2021

Past Events

Holding Time: Launch Event

19 November 2021

Past Events

The Mutual Respect Manifesto by Glow Creative Learning

25 October 2021

Past Events

Joseph Lee: Mindful Photo Workshop

11 December 2021

Past Events

Who’s Left Behind? Part 2: Tadhg Devlin, staff from Community Integrated Care, and Mersey Care NHS Foundation Trust in association with Liverpool SURF group

25 November 2021

Past Events

Who’s Left Behind? Part 1: Liverpool Cares and MA SEP graduate Vilija Skubute

24 November 2021

Past Events

Open Rooms # 17: Today, Tomorrow and Somewhere in between

11 November 2021

Past Events

One Day at a Time Boys: Introductory talk and workshop

6 November 2021

Exhibitions

DIGITAL WINDOW GALLERY: CROSSING SECTORS

30 September - 7 November 2021

Exhibitions

Just Between Friends: Runcorn Public Realm

30 September - 12 December 2021

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Open Rooms #8: Photography and Racialisation

Photography is not innocent. The medium has played a significant role in maintaining a visual culture and hierarchy with its roots in colonialism, one in which racial ‘whiteness’ is synonymous with ‘normal’ and desirable. This can be seen and understood in the various practices and technologies of photography.

Yasmin Gunaratnam, Ali Eisa and Daniel C. Blight seek to examine the role photography plays in the ongoing racialisation of people, in the UK and worldwide. The conversation revolves around an image submitted by each participant, with an accompanying question.

Yasmin Gunaratnam asks “How heavy is whiteness?” Ali Eisa asks “In making images, how do we make ourselves?” Daniel C. Blight asks, “How do white people see?” Using these three questions as entry points, they seek to uncover the visual architecture of whiteness, and offer ways to unpick and subvert the racialising production and circulation of images.

Daniel C. Blight is the author of ‘The Image of Whiteness: Contemporary Photography and Racialization’. He teaches at the University of Brighton. 

Yasmin Gunaratnam is a reader in sociology at Goldsmiths, University of London. Her most recent book is ‘Go Home?’ The Politics of Immigration Controversies’.

Ali Eisa is an artist and educator working at Autograph, where he manages the Learning & Participation programme. Ali is a visual artist who exhibits nationally and internationally, and has a background in social circus, youth arts and youth work.

 

Open Rooms is Open Eye Gallery’s online programme. It involves free live-streamed talks and workshops, plus ongoing public discussions on our Discord community. It takes place in rooms all across the world — artists’ rooms, chat rooms and in your living room.

Open Rooms is livestreamed to our Twitch channel, an online streaming service.

We also have a community of chat rooms and ongoing conversations on Discord, a free messaging app open to all. To join, follow this link and download Discord on desktop or mobile. 

 

IMAGES & QUESTIONS

Image: Every Moment Counts (Ecstatic Antibodies), 1989. © Rotimi Fani-Kayode. Courtesy of Autograph, London.

Ali Eisa: In making images, how do we make ourselves? 

 


Image: Patrick Hutchinson carries the man now identified as Bryn Male to safety. Photograph: Dylan Martinez/Reuters

Yasmin Gunaratnam: How heavy is whiteness?


Image: Paul Mpagi Sepuya, Mirror Study (0X5A2919), 2018. Courtesy the artist and team (gallery, inc.), New York; DOCUMENT, Chicago; and Susanne Vielmetter Los Angeles Projects, Los Angeles.

Daniel C. Blight: How do white people see?

Photography is not innocent. The medium has played a significant role in maintaining a visual culture and hierarchy with its roots in colonialism, one in which racial ‘whiteness’ is synonymous with ‘normal’ and desirable. This can be seen and understood in the various practices and technologies of photography.

Yasmin Gunaratnam, Ali Eisa and Daniel C. Blight seek to examine the role photography plays in the ongoing racialisation of people, in the UK and worldwide. The conversation revolves around an image submitted by each participant, with an accompanying question.

Yasmin Gunaratnam asks “How heavy is whiteness?” Ali Eisa asks “In making images, how do we make ourselves?” Daniel C. Blight asks, “How do white people see?” Using these three questions as entry points, they seek to uncover the visual architecture of whiteness, and offer ways to unpick and subvert the racialising production and circulation of images.

Daniel C. Blight is the author of ‘The Image of Whiteness: Contemporary Photography and Racialization’. He teaches at the University of Brighton. 

Yasmin Gunaratnam is a reader in sociology at Goldsmiths, University of London. Her most recent book is ‘Go Home?’ The Politics of Immigration Controversies’.

Ali Eisa is an artist and educator working at Autograph, where he manages the Learning & Participation programme. Ali is a visual artist who exhibits nationally and internationally, and has a background in social circus, youth arts and youth work.

 

Open Rooms is Open Eye Gallery’s online programme. It involves free live-streamed talks and workshops, plus ongoing public discussions on our Discord community. It takes place in rooms all across the world — artists’ rooms, chat rooms and in your living room.

Open Rooms is livestreamed to our Twitch channel, an online streaming service.

We also have a community of chat rooms and ongoing conversations on Discord, a free messaging app open to all. To join, follow this link and download Discord on desktop or mobile. 

 

IMAGES & QUESTIONS

Image: Every Moment Counts (Ecstatic Antibodies), 1989. © Rotimi Fani-Kayode. Courtesy of Autograph, London.

Ali Eisa: In making images, how do we make ourselves? 

 


Image: Patrick Hutchinson carries the man now identified as Bryn Male to safety. Photograph: Dylan Martinez/Reuters

Yasmin Gunaratnam: How heavy is whiteness?


Image: Paul Mpagi Sepuya, Mirror Study (0X5A2919), 2018. Courtesy the artist and team (gallery, inc.), New York; DOCUMENT, Chicago; and Susanne Vielmetter Los Angeles Projects, Los Angeles.

Daniel C. Blight: How do white people see?

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