Events

Love Is In Action: Black History Panel

29 October 2020

Projects

VR — The Time We Call Our Own

3 September 2020

Exhibitions Future Exhibitions

Exhibition: L— A City Through Its People

5 November - 13 December 2020

Projects

Harold Offeh — When Was The Time I Could Call My Own?

15 October 2020

Projects

Mirjam Wirz — Sonidero City

8 October 2020

Projects

Open Rooms #9 Access to Art: Who is art for? (w/ Mike Pinnington and Larry Achiampong)

13 October 2020

Projects

PLATFORM ISSUE 2: THE NEW NORMAL

7 October 2020

Events

‘Practice as Research’ – Socially Engaged Photography Network, North West

18 November 2020

Events

Weekend Exhibition: Illustrating Anthropology

12 November - 15 November 2020

Events

Laurence Westgaph: Liverpool Slavery Virtual Tour

27 October 2020

Events

Mirror Mirror: Online Film Screening & Q+A

12 November 2020

Exhibitions Open Source Exhibitions

DIGITAL WINDOW GALLERY: OPEN SOURCE #18 – KELEENNA ONYEAKA

1 October - 31 October 2020

Projects

Tobias Zielony — Maskirovka

27 August 2020

Projects

Save Some Space (The Time We Call Our Own Online #4)

20 August 2020

Projects

Andrew Miksys — Disko (The Time We Call Our Own: Online #3)

6 August 2020

Projects

Oliver Sieber: Imaginary Club (The Time We Call Our Own: Online #2)

30 July 2020

Projects

Getting Ready: Amelia Lonsdale and Her Mum (#1)

23 July 2020

Exhibitions Past Exhibitions Open Source Exhibitions

DIGITAL WINDOW GALLERY: OPEN SOURCE #17 – SAMANTHA JAGGER

3 September - 30 September 2020

Exhibitions

you out tonight?

10 August 2020

Projects

folio20: Hugh Baird University Centre

10 August 2020

Projects

Sarah Eyre (Untitled)

10 August 2020

Projects

Activity Packs for Older People

20 July 2020

Projects

Young People + Family Activity Packs

20 July 2020

Projects

Open Rooms #3: Photographing the Internet (w/ Mishka Henner)

7 May 2020

Projects

Open Rooms #2: Separated Together

30 April 2020

Projects

Open Rooms #7: Photography Does Not Love You (Katrina Sluis w/ Jacob Bolton)

2 July 2020

Projects

Open Rooms #8: Photography and Racialisation

9 July 2020

Projects

Open Rooms #5: Class of 2020 — Seba Kurtis in conversation with Mariama Attah

18 June 2020

Projects

Love is an Action

11 June 2020

Projects

OPEN ROOMS #4: INDEPENDENT (PUBLISHING W/ COLIN WILKINSON)

21 May 2020

Open Eye Stories

4 May 2020

Open Rooms

4 May 2020

Exhibitions

Online Programme

15 March 2020

Exhibitions

DIGITAL WINDOW GALLERY: OPEN SOURCE #16 – PAULINA KOROBKIEWICZ

1 March - 31 March 2020

Main Exhibition

Exhibition: The Time We Call Our Own

3 September - 23 October 2020

Exhibitions Past Exhibitions

DIGITAL WINDOW GALLERY: OPEN SOURCE #15 – JONATHAN LYNCH

1 February - 29 February 2020

Projects

PLATFORM Issue 01

21 January 2020

LAUNCH: THE DARK FIGURE*

20 February - 20 February 2020

Past Exhibitions

DIGITAL WINDOW GALLERY: OPEN SOURCE #14 – SAHAN NUHOGLU

16 January 2020

Exhibitions

VISUAL RIGHTS

16 January - 22 March 2020

Exhibitions

THE DARK FIGURE*

20 February - 22 March 2020

Past Exhibitions

EXPOSED

3 April 2020

Exhibitions Past Exhibitions

DIGITAL WINDOW GALLERY: NOW, FOR THE FUTURE – OPEN SOURCE X SHUTTER HUB

1 November - 30 November 2019

Past Exhibitions

Brilliant City 中文

30 October - 16 November 2019

Tong Yan Gai — Chinatown—中文

7 October - 24 October 2019

Exhibitions

HE 中文

17 October - 21 December 2019

Exhibitions

JUMP! 中文

4 October - 26 October 2019

Exhibitions

A Room of Our Own: a Fast Forward Women in Photography Exhibition 中文

17 October - 21 December 2019

Exhibitions

DINU LI: ANATOMY OF PLACE — (中文)

17 October - 21 December 2019

Exhibitions

Peer to Peer 中文

17 October - 22 December 2019

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Open Rooms #8: Photography and Racialisation

Photography is not innocent. The medium has played a significant role in maintaining a visual culture and hierarchy with its roots in colonialism, one in which racial ‘whiteness’ is synonymous with ‘normal’ and desirable. This can be seen and understood in the various practices and technologies of photography.

Yasmin Gunaratnam, Ali Eisa and Daniel C. Blight seek to examine the role photography plays in the ongoing racialisation of people, in the UK and worldwide. The conversation revolves around an image submitted by each participant, with an accompanying question.

Yasmin Gunaratnam asks “How heavy is whiteness?” Ali Eisa asks “In making images, how do we make ourselves?” Daniel C. Blight asks, “How do white people see?” Using these three questions as entry points, they seek to uncover the visual architecture of whiteness, and offer ways to unpick and subvert the racialising production and circulation of images.

Daniel C. Blight is the author of ‘The Image of Whiteness: Contemporary Photography and Racialization’. He teaches at the University of Brighton. 

Yasmin Gunaratnam is a reader in sociology at Goldsmiths, University of London. Her most recent book is ‘Go Home?’ The Politics of Immigration Controversies’.

Ali Eisa is an artist and educator working at Autograph, where he manages the Learning & Participation programme. Ali is a visual artist who exhibits nationally and internationally, and has a background in social circus, youth arts and youth work.

 

Open Rooms is Open Eye Gallery’s online programme. It involves free live-streamed talks and workshops, plus ongoing public discussions on our Discord community. It takes place in rooms all across the world — artists’ rooms, chat rooms and in your living room.

Open Rooms is livestreamed to our Twitch channel, an online streaming service.

We also have a community of chat rooms and ongoing conversations on Discord, a free messaging app open to all. To join, follow this link and download Discord on desktop or mobile. 

 

IMAGES & QUESTIONS

Image: Every Moment Counts (Ecstatic Antibodies), 1989. © Rotimi Fani-Kayode. Courtesy of Autograph, London.

Ali Eisa: In making images, how do we make ourselves? 

 


Image: Patrick Hutchinson carries the man now identified as Bryn Male to safety. Photograph: Dylan Martinez/Reuters

Yasmin Gunaratnam: How heavy is whiteness?


Image: Paul Mpagi Sepuya, Mirror Study (0X5A2919), 2018. Courtesy the artist and team (gallery, inc.), New York; DOCUMENT, Chicago; and Susanne Vielmetter Los Angeles Projects, Los Angeles.

Daniel C. Blight: How do white people see?

Photography is not innocent. The medium has played a significant role in maintaining a visual culture and hierarchy with its roots in colonialism, one in which racial ‘whiteness’ is synonymous with ‘normal’ and desirable. This can be seen and understood in the various practices and technologies of photography.

Yasmin Gunaratnam, Ali Eisa and Daniel C. Blight seek to examine the role photography plays in the ongoing racialisation of people, in the UK and worldwide. The conversation revolves around an image submitted by each participant, with an accompanying question.

Yasmin Gunaratnam asks “How heavy is whiteness?” Ali Eisa asks “In making images, how do we make ourselves?” Daniel C. Blight asks, “How do white people see?” Using these three questions as entry points, they seek to uncover the visual architecture of whiteness, and offer ways to unpick and subvert the racialising production and circulation of images.

Daniel C. Blight is the author of ‘The Image of Whiteness: Contemporary Photography and Racialization’. He teaches at the University of Brighton. 

Yasmin Gunaratnam is a reader in sociology at Goldsmiths, University of London. Her most recent book is ‘Go Home?’ The Politics of Immigration Controversies’.

Ali Eisa is an artist and educator working at Autograph, where he manages the Learning & Participation programme. Ali is a visual artist who exhibits nationally and internationally, and has a background in social circus, youth arts and youth work.

 

Open Rooms is Open Eye Gallery’s online programme. It involves free live-streamed talks and workshops, plus ongoing public discussions on our Discord community. It takes place in rooms all across the world — artists’ rooms, chat rooms and in your living room.

Open Rooms is livestreamed to our Twitch channel, an online streaming service.

We also have a community of chat rooms and ongoing conversations on Discord, a free messaging app open to all. To join, follow this link and download Discord on desktop or mobile. 

 

IMAGES & QUESTIONS

Image: Every Moment Counts (Ecstatic Antibodies), 1989. © Rotimi Fani-Kayode. Courtesy of Autograph, London.

Ali Eisa: In making images, how do we make ourselves? 

 


Image: Patrick Hutchinson carries the man now identified as Bryn Male to safety. Photograph: Dylan Martinez/Reuters

Yasmin Gunaratnam: How heavy is whiteness?


Image: Paul Mpagi Sepuya, Mirror Study (0X5A2919), 2018. Courtesy the artist and team (gallery, inc.), New York; DOCUMENT, Chicago; and Susanne Vielmetter Los Angeles Projects, Los Angeles.

Daniel C. Blight: How do white people see?

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