Exhibitions

Peer to Peer HK/UK — Lee Wing Ki: Night Walk (an excerpt)

16 November - 30 November 2020

Events

HYPERTEXT: VIRTUAL ART BOOK FAIR

28 November - 29 November 2020

Exhibitions

Peer to Peer: UK / HK

11 November 2020

Exhibitions Past Exhibitions

Watch: Liverpool Slavery Virtual Tour

27 October 2020

A Message From Open Eye Gallery: Covid-19 Update

2 November 2020

Exhibitions

VR — The New West

30 October 2020

Past Exhibitions

TO BE FRANK

30 October - 15 November 2020

Past Exhibitions

THE LIVES WE LEAD

28 October - 11 November 2020

Past Events Past Exhibitions

Love Is An Action: Black History Panel

29 October 2020

Projects

VR — The Time We Call Our Own

3 September 2020

Exhibitions Main Exhibition

Exhibition: L— A City Through Its People

5 November - 7 March 2021

Projects

Harold Offeh — When Was The Time I Could Call My Own?

15 October 2020

Projects

Mirjam Wirz — Sonidero City

8 October 2020

Projects

Open Rooms #9 Access to Art: Who is art for? (w/ Mike Pinnington and Larry Achiampong)

13 October 2020

Projects

PLATFORM ISSUE 2: THE NEW NORMAL

7 October 2020

Events

Atrium Exhibition: Illustrating Anthropology

12 November - 30 November 2020

Past Events

Laurence Westgaph: Liverpool Slavery Virtual Tour

27 October 2020

Exhibitions Open Source Exhibitions

DIGITAL WINDOW GALLERY: OPEN SOURCE #18 – KELEENNA ONYEAKA

1 October - 31 October 2020

Projects

Tobias Zielony — Maskirovka

27 August 2020

Projects

Save Some Space (The Time We Call Our Own Online #4)

20 August 2020

Projects

Andrew Miksys — Disko (The Time We Call Our Own: Online #3)

6 August 2020

Projects

Oliver Sieber: Imaginary Club (The Time We Call Our Own: Online #2)

30 July 2020

Projects

Getting Ready: Amelia Lonsdale and Her Mum (#1)

23 July 2020

Exhibitions Past Exhibitions Open Source Exhibitions

DIGITAL WINDOW GALLERY: OPEN SOURCE #17 – SAMANTHA JAGGER

3 September - 30 September 2020

Past Exhibitions

you out tonight?

10 August 2020

Projects

folio20: Hugh Baird University Centre

10 August 2020

Projects

Sarah Eyre (Untitled)

10 August 2020

Projects

Activity Packs for Older People

20 July 2020

Projects

Young People + Family Activity Packs

20 July 2020

Projects

Open Rooms #3: Photographing the Internet (w/ Mishka Henner)

7 May 2020

Projects

Open Rooms #2: Separated Together

30 April 2020

Projects

Open Rooms #7: Photography Does Not Love You (Katrina Sluis w/ Jacob Bolton)

2 July 2020

Projects

Open Rooms #8: Photography and Racialisation

9 July 2020

Projects

Open Rooms #5: Class of 2020 — Seba Kurtis in conversation with Mariama Attah

18 June 2020

Projects

Love is an Action

11 June 2020

Projects

OPEN ROOMS #4: INDEPENDENT (PUBLISHING W/ COLIN WILKINSON)

21 May 2020

Open Eye Stories

4 May 2020

Open Rooms

4 May 2020

Exhibitions

Online Programme

15 March 2020

Exhibitions

DIGITAL WINDOW GALLERY: OPEN SOURCE #16 – PAULINA KOROBKIEWICZ

1 March - 31 March 2020

Exhibitions Past Exhibitions

Exhibition: The Time We Call Our Own

3 September - 23 October 2020

Exhibitions Past Exhibitions

DIGITAL WINDOW GALLERY: OPEN SOURCE #15 – JONATHAN LYNCH

1 February - 29 February 2020

Projects

PLATFORM Issue 01

21 January 2020

LAUNCH: THE DARK FIGURE*

20 February - 20 February 2020

Past Exhibitions

DIGITAL WINDOW GALLERY: OPEN SOURCE #14 – SAHAN NUHOGLU

16 January 2020

Exhibitions

VISUAL RIGHTS

16 January - 22 March 2020

Exhibitions

THE DARK FIGURE*

20 February - 22 March 2020

Past Exhibitions

EXPOSED

3 April 2020

Exhibitions Past Exhibitions

DIGITAL WINDOW GALLERY: NOW, FOR THE FUTURE – OPEN SOURCE X SHUTTER HUB

1 November - 30 November 2019

Past Exhibitions

Brilliant City 中文

30 October - 16 November 2019

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Liverpool Biennial 2018: Beautiful World Where Are You?

14 July - 28 October 2018

Liverpool Biennial 2018: Beautiful world where are you? invites artists and audiences to reflect on a world of social, political and economic turmoil. For this Biennial, we showcase two projects from international photographers. Madiha Aijaz (Karachi, Pakistan) and George Osodi (Lagos, Nigeria) present works charting shifts in community, culture and power. Both artists are producing work in countries with a colonial legacy, looking at systems of governance and cultural guidance following their reclamation of autonomy from Britain.

Madiha Aijaz is a filmmaker and photographer interested in cultural civic spaces and how we interact with them. She often photographs the railways, public libraries, study spaces and communities that have become peripheral to civic life. Her new film on show at Open Eye Gallery, These Silences Are All the Words, explores the public libraries of Karachi, Pakistan, against the backdrop of the changing landscape of the city.

 

Madiha Aijaz, These Silences Are All The Words (film still), 2017-2018. Image courtesy the artist

 

The film looks at how librarians and the library’s users reflect on the city outside the library’s walls. It focuses on the shift of language use from Urdu and its poetic and literary history, moving towards the ambition and individualism associated with English. Many of Aijaz’s works quietly offer a perspective onto a country sharply divided along linguistic lines. The work is commissioned by Liverpool Biennial, Karachi Biennale and The Tetley, as part of the New North and South, and was developed during Aijaz’s ROSL Arts residency at Hospitalfield in Arbroath.

George Osodi was a photojournalist with Comet Newspaper in Lagos between 1999-2001, before joining the Associated Press News Agency in Lagos between 2001-2008. His photographs range between photojournalism and artistic documentary, covering topics from depictions of contemporary Nigerian monarchs through to injustices occurring in the Niger Delta over its natural resources. Osodi has been recognised as a leading documentary practitioner by many institutions, including Sony World Photography and Fuji Africa.

 

George Osodi, Nigerian Monarchs, 2016

 

Nigerian Monarchs is a series of large photographs depicting the regional rulers in the country. During colonial rule, the British implemented a centralised system of governance, which removed the authority of regional monarchs. The images depict the different personalities of the local rulers who have reclaimed some of their authority, as well as the extravagant regalia that now stand as symbols of an individual’s past power.

 

George Osodi, Nigerian Monarchs, 2016

 

Liverpool Biennial is the largest festival of contemporary art in the UK, with free exhibitions and events taking place across the city’s public spaces, galleries, museums and online. In 2018, the Biennial celebrates 20 years of presenting international art in the city and region.

Images:
Madiha Aijaz, Sehwan End of Moharram, 2016. Image courtesy the artist
Madiha Aijaz, These Silences Are All The Words (film still), 2017-2018. Image courtesy the artist
George Osodi, Nigerian Monarchs (HRH Shehu of Borno Empire Abubakar Umar Garbai El Kanemi), 2016. Image courtesy the artist & TAFETA

George Osodi, Nigerian Monarchs (HRM Princess Adetutu Adesida Regent of Akure Kingdom) , 2014. Image courtesy the artist & TAFETA

 

Liverpool Biennial 2018: Beautiful world where are you? invites artists and audiences to reflect on a world of social, political and economic turmoil. For this Biennial, we showcase two projects from international photographers. Madiha Aijaz (Karachi, Pakistan) and George Osodi (Lagos, Nigeria) present works charting shifts in community, culture and power. Both artists are producing work in countries with a colonial legacy, looking at systems of governance and cultural guidance following their reclamation of autonomy from Britain.

Madiha Aijaz is a filmmaker and photographer interested in cultural civic spaces and how we interact with them. She often photographs the railways, public libraries, study spaces and communities that have become peripheral to civic life. Her new film on show at Open Eye Gallery, These Silences Are All the Words, explores the public libraries of Karachi, Pakistan, against the backdrop of the changing landscape of the city.

 

Madiha Aijaz, These Silences Are All The Words (film still), 2017-2018. Image courtesy the artist

 

The film looks at how librarians and the library’s users reflect on the city outside the library’s walls. It focuses on the shift of language use from Urdu and its poetic and literary history, moving towards the ambition and individualism associated with English. Many of Aijaz’s works quietly offer a perspective onto a country sharply divided along linguistic lines. The work is commissioned by Liverpool Biennial, Karachi Biennale and The Tetley, as part of the New North and South, and was developed during Aijaz’s ROSL Arts residency at Hospitalfield in Arbroath.

George Osodi was a photojournalist with Comet Newspaper in Lagos between 1999-2001, before joining the Associated Press News Agency in Lagos between 2001-2008. His photographs range between photojournalism and artistic documentary, covering topics from depictions of contemporary Nigerian monarchs through to injustices occurring in the Niger Delta over its natural resources. Osodi has been recognised as a leading documentary practitioner by many institutions, including Sony World Photography and Fuji Africa.

 

George Osodi, Nigerian Monarchs, 2016

 

Nigerian Monarchs is a series of large photographs depicting the regional rulers in the country. During colonial rule, the British implemented a centralised system of governance, which removed the authority of regional monarchs. The images depict the different personalities of the local rulers who have reclaimed some of their authority, as well as the extravagant regalia that now stand as symbols of an individual’s past power.

 

George Osodi, Nigerian Monarchs, 2016

 

Liverpool Biennial is the largest festival of contemporary art in the UK, with free exhibitions and events taking place across the city’s public spaces, galleries, museums and online. In 2018, the Biennial celebrates 20 years of presenting international art in the city and region.

Images:
Madiha Aijaz, Sehwan End of Moharram, 2016. Image courtesy the artist
Madiha Aijaz, These Silences Are All The Words (film still), 2017-2018. Image courtesy the artist
George Osodi, Nigerian Monarchs (HRH Shehu of Borno Empire Abubakar Umar Garbai El Kanemi), 2016. Image courtesy the artist & TAFETA

George Osodi, Nigerian Monarchs (HRM Princess Adetutu Adesida Regent of Akure Kingdom) , 2014. Image courtesy the artist & TAFETA

 

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