Events

COAST TO COAST TO COAST

14 September - 14 September 2019

Events

SIXTEEN YEARS OLD — PAST AND PRESENT. OPEN EYE GALLERY.

18 August 2019

Events

Open Source in Conversation: Jocelyn Allen

22 August - 22 August 2019

Events

SIXTEEN YEARS OLD — PAST AND PRESENT: THE ATKINSON

21 August - 24 August 2019

Events

ZINE & PHOTOBOOK FAIR

7 September - 7 September 2019

Exhibitions

DIGITAL WINDOW GALLERY: OPEN SOURCE 10 – JOCELYN ALLEN

1 August - 31 August 2019

Exhibitions Future Exhibitions

A Portrait Of…

2 August - 29 September 2019

Exhibitions Past Exhibitions

DIGITAL WINDOW GALLERY: OPEN SOURCE 09 – ARABELLE ZHUANG

1 July - 31 July 2019

Exhibitions Future Exhibitions

Close Attention

11 July - 21 July 2019

Exhibitions Past Exhibitions

New York Scene/Unseen: Keith Haring and Friends

14 June - 7 July 2019

Past Exhibitions

DIGITAL WINDOW GALLERY: OPEN SOURCE 08 – DENISA N. MOLNAR

1 June - 30 June 2019

Exhibitions

DIGITAL WINDOW GALLERY: TRANSFORMATIVE MOMENTS – STEPHANIE WYNNE

1 April - 7 July 2019

Past Exhibitions

DIGITAL WINDOW GALLERY: OPEN SOURCE 07 – MARIE SMITH

1 May - 31 May 2019

Projects

VR — Wake Up Together (Ren Hang & Where Love is Illegal)

23 April 2019

Main Exhibition

Belonging: Students of Whitby High School

18 April - 28 April 2019

Exhibitions Past Exhibitions

DIGITAL WINDOW GALLERY: OPEN SOURCE 06 – MARIA ANSELL

1 April - 30 April 2019

Past Exhibitions

DIGITAL WINDOW GALLERY: OPEN SOURCE 05 – ELIZABETH GLEAVE

1 March - 31 March 2019

Past Exhibitions

DIGITAL WINDOW GALLERY: OPEN SOURCE 04 – LEIA MORRISON

1 February - 28 February 2019

Past Exhibitions

Here And Now

19 February - 23 February 2019

Exhibitions

PAULINE ROWE & DAVE LOCKWOOD – THE ALLOTMENTS

29 August - 28 September 2019

Exhibitions

TABITHA JUSSA & JOHN DAVIES – CAN’T SEE THE WOOD FOR THE TREES

6 June - 4 July 2019

Exhibitions

Stephanie Wynne and Stephen McCoy — Triangulation

18 July - 24 August 2019

Exhibitions

Yan Wang Preston — Forest

6 June - 28 September 2019

Exhibitions

LIZ HINGLEY – SHANGHAI SACRED

6 June - 25 September 2019

Main Exhibition

Kinship

9 May - 7 July 2019

Past Exhibitions

DIGITAL WINDOW GALLERY: OPEN SOURCE 03 – OLLIE HAYWARD

1 January - 31 January 2019

Past Exhibitions

DIGITAL WINDOW GALLERY: OPEN SOURCE 02 – RACHEL GLASS

1 December - 31 December 2018

Projects Exhibitions

209 Women

28 February - 14 April 2019

Past Exhibitions

DIGITAL WINDOW GALLERY: OPEN SOURCE 01 – HEATHER GLAZZARD

1 November - 30 November 2018

Projects Culture Shifts

Where Things are Different

15 August 2017

Past Exhibitions

She Dreams – Yan Wang Preston

24 September - 10 February 2018

Past Exhibitions

Wake Up Together

15 November - 17 February 2019

Exhibitions

DISTINCTLY

27 September - 24 November 2019

Projects

209 Women Crowdfunder

6 September - 17 October 2018

Past Exhibitions

XU ZHEN: OPTIMIZING

13 July - 7 September 2018

Past Exhibitions

HIDDEN WORLDS

14 July - 16 July 2018

Past Exhibitions

New Brighton Revisited

14 July - 25 August 2018

Exhibitions

SEEING FUTURES: HUGH BAIRD PHOTOGRAPHY UNDERGRADUATES & ALUMNI

29 June 2018

Past Exhibitions

‘ELLESMERE PORT’ WHITBY HIGH SCHOOL STUDENT EXHIBITION

22 June 2018

Past Exhibitions

Liverpool Biennial 2018: Beautiful World Where Are You?

14 July - 28 October 2018

Past Exhibitions

China Conversation

17 June 2018

Projects

MA Course Brief

1 September 2018

Main Exhibition

Our North

28 March - 30 March 2018

Past Exhibitions

Snapshot to WeChat: A Migration of Identity

6 April 2018

Exhibitions Main Exhibition

The Pier Head – Tom Wood

12 January - 25 March 2018

Past Exhibitions

Ferry Folk

11 January - 25 March 2018

Projects Past Exhibitions

Culture Shifts: Local

6 October - 22 December 2017

Past Exhibitions

Finding Fangorn

26 October - 26 November 2017

Past Exhibitions

Who We Are

22 June - 26 June 2017

Past Exhibitions

OPEN 3: AFFECTING CHANGE

7 July - 17 September 2017

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Liverpool Biennial 2018: Beautiful World Where Are You?

14 July - 28 October 2018

Liverpool Biennial 2018: Beautiful world where are you? invites artists and audiences to reflect on a world of social, political and economic turmoil. For this Biennial, we showcase two projects from international photographers. Madiha Aijaz (Karachi, Pakistan) and George Osodi (Lagos, Nigeria) present works charting shifts in community, culture and power. Both artists are producing work in countries with a colonial legacy, looking at systems of governance and cultural guidance following their reclamation of autonomy from Britain.

Madiha Aijaz is a filmmaker and photographer interested in cultural civic spaces and how we interact with them. She often photographs the railways, public libraries, study spaces and communities that have become peripheral to civic life. Her new film on show at Open Eye Gallery, These Silences Are All the Words, explores the public libraries of Karachi, Pakistan, against the backdrop of the changing landscape of the city.

 

Madiha Aijaz, These Silences Are All The Words (film still), 2017-2018. Image courtesy the artist

 

The film looks at how librarians and the library’s users reflect on the city outside the library’s walls. It focuses on the shift of language use from Urdu and its poetic and literary history, moving towards the ambition and individualism associated with English. Many of Aijaz’s works quietly offer a perspective onto a country sharply divided along linguistic lines. The work is commissioned by Liverpool Biennial, Karachi Biennale and The Tetley, as part of the New North and South, and was developed during Aijaz’s ROSL Arts residency at Hospitalfield in Arbroath.

George Osodi was a photojournalist with Comet Newspaper in Lagos between 1999-2001, before joining the Associated Press News Agency in Lagos between 2001-2008. His photographs range between photojournalism and artistic documentary, covering topics from depictions of contemporary Nigerian monarchs through to injustices occurring in the Niger Delta over its natural resources. Osodi has been recognised as a leading documentary practitioner by many institutions, including Sony World Photography and Fuji Africa.

 

George Osodi, Nigerian Monarchs, 2016

 

Nigerian Monarchs is a series of large photographs depicting the regional rulers in the country. During colonial rule, the British implemented a centralised system of governance, which removed the authority of regional monarchs. The images depict the different personalities of the local rulers who have reclaimed some of their authority, as well as the extravagant regalia that now stand as symbols of an individual’s past power.

 

George Osodi, Nigerian Monarchs, 2016

 

Liverpool Biennial is the largest festival of contemporary art in the UK, with free exhibitions and events taking place across the city’s public spaces, galleries, museums and online. In 2018, the Biennial celebrates 20 years of presenting international art in the city and region.

Images:
Madiha Aijaz, Sehwan End of Moharram, 2016. Image courtesy the artist
Madiha Aijaz, These Silences Are All The Words (film still), 2017-2018. Image courtesy the artist
George Osodi, Nigerian Monarchs (HRH Shehu of Borno Empire Abubakar Umar Garbai El Kanemi), 2016. Image courtesy the artist & TAFETA

George Osodi, Nigerian Monarchs (HRM Princess Adetutu Adesida Regent of Akure Kingdom) , 2014. Image courtesy the artist & TAFETA

 

Liverpool Biennial 2018: Beautiful world where are you? invites artists and audiences to reflect on a world of social, political and economic turmoil. For this Biennial, we showcase two projects from international photographers. Madiha Aijaz (Karachi, Pakistan) and George Osodi (Lagos, Nigeria) present works charting shifts in community, culture and power. Both artists are producing work in countries with a colonial legacy, looking at systems of governance and cultural guidance following their reclamation of autonomy from Britain.

Madiha Aijaz is a filmmaker and photographer interested in cultural civic spaces and how we interact with them. She often photographs the railways, public libraries, study spaces and communities that have become peripheral to civic life. Her new film on show at Open Eye Gallery, These Silences Are All the Words, explores the public libraries of Karachi, Pakistan, against the backdrop of the changing landscape of the city.

 

Madiha Aijaz, These Silences Are All The Words (film still), 2017-2018. Image courtesy the artist

 

The film looks at how librarians and the library’s users reflect on the city outside the library’s walls. It focuses on the shift of language use from Urdu and its poetic and literary history, moving towards the ambition and individualism associated with English. Many of Aijaz’s works quietly offer a perspective onto a country sharply divided along linguistic lines. The work is commissioned by Liverpool Biennial, Karachi Biennale and The Tetley, as part of the New North and South, and was developed during Aijaz’s ROSL Arts residency at Hospitalfield in Arbroath.

George Osodi was a photojournalist with Comet Newspaper in Lagos between 1999-2001, before joining the Associated Press News Agency in Lagos between 2001-2008. His photographs range between photojournalism and artistic documentary, covering topics from depictions of contemporary Nigerian monarchs through to injustices occurring in the Niger Delta over its natural resources. Osodi has been recognised as a leading documentary practitioner by many institutions, including Sony World Photography and Fuji Africa.

 

George Osodi, Nigerian Monarchs, 2016

 

Nigerian Monarchs is a series of large photographs depicting the regional rulers in the country. During colonial rule, the British implemented a centralised system of governance, which removed the authority of regional monarchs. The images depict the different personalities of the local rulers who have reclaimed some of their authority, as well as the extravagant regalia that now stand as symbols of an individual’s past power.

 

George Osodi, Nigerian Monarchs, 2016

 

Liverpool Biennial is the largest festival of contemporary art in the UK, with free exhibitions and events taking place across the city’s public spaces, galleries, museums and online. In 2018, the Biennial celebrates 20 years of presenting international art in the city and region.

Images:
Madiha Aijaz, Sehwan End of Moharram, 2016. Image courtesy the artist
Madiha Aijaz, These Silences Are All The Words (film still), 2017-2018. Image courtesy the artist
George Osodi, Nigerian Monarchs (HRH Shehu of Borno Empire Abubakar Umar Garbai El Kanemi), 2016. Image courtesy the artist & TAFETA

George Osodi, Nigerian Monarchs (HRM Princess Adetutu Adesida Regent of Akure Kingdom) , 2014. Image courtesy the artist & TAFETA

 

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