Projects

VR — Wake Up Together (Ren Hang & Where Love is Illegal)

23 April 2019

Events

OPEN SOURCE IN CONVERSATION: MARIA ANSELL

25 April - 25 April 2019

Main Exhibition

Belonging: Students of Whitby High School

18 April - 28 April 2019

Exhibitions

DIGITAL WINDOW GALLERY: OPEN SOURCE 06 – MARIA ANSELL

1 April - 30 April 2019

Past Exhibitions

DIGITAL WINDOW GALLERY: OPEN SOURCE 05 – ELIZABETH GLEAVE

1 March - 31 March 2019

Past Exhibitions

DIGITAL WINDOW GALLERY: OPEN SOURCE 04 – LEIA MORRISON

1 February - 28 February 2019

Past Exhibitions

Here And Now

19 February - 23 February 2019

Exhibitions

PAULINE ROWE & DAVE LOCKWOOD – THE ALLOTMENTS

29 August - 28 September 2019

Exhibitions

Stephanie Wynne and Stephen McCoy — Triangulation

18 July - 22 August 2019

Exhibitions

TABITHA JUSSA & JOHN DAVIES – CAN’T SEE THE WOOD FOR THE TREES

6 June - 4 July 2019

Exhibitions

Yan Wang Preston — Forest

6 June - 31 August 2019

Exhibitions

LIZ HINGLEY – SHANGHAI SACRED

6 June - 25 September 2019

Future Exhibitions

Kinship

9 May - 7 July 2019

Past Exhibitions

DIGITAL WINDOW GALLERY: OPEN SOURCE 03 – OLLIE HAYWARD

1 January - 31 January 2019

Past Exhibitions

DIGITAL WINDOW GALLERY: OPEN SOURCE 02 – RACHEL GLASS

1 December - 31 December 2018

Projects Exhibitions

209 Women

28 February - 14 April 2019

Past Exhibitions

DIGITAL WINDOW GALLERY: OPEN SOURCE 01 – HEATHER GLAZZARD

1 November - 30 November 2018

Projects Culture Shifts

Where Things are Different

15 August 2017

Past Exhibitions

She Dreams – Yan Wang Preston

24 September - 10 February 2018

Past Exhibitions

Wake Up Together

15 November - 17 February 2019

Exhibitions

DISTINCTLY

27 September - 24 November 2019

Projects

209 Women Crowdfunder

6 September - 17 October 2018

Past Exhibitions

XU ZHEN: OPTIMIZING

13 July - 7 September 2018

Past Exhibitions

HIDDEN WORLDS

14 July - 16 July 2018

Past Exhibitions

New Brighton Revisited

14 July - 25 August 2018

Exhibitions

SEEING FUTURES: HUGH BAIRD PHOTOGRAPHY UNDERGRADUATES & ALUMNI

29 June 2018

Past Exhibitions

‘ELLESMERE PORT’ WHITBY HIGH SCHOOL STUDENT EXHIBITION

22 June 2018

Past Exhibitions

Liverpool Biennial 2018: Beautiful World Where Are You?

14 July - 28 October 2018

Past Exhibitions

China Conversation

17 June 2018

Projects

MA Course Brief

1 September 2018

Main Exhibition

Our North

28 March - 30 March 2018

Past Exhibitions

Snapshot to WeChat: A Migration of Identity

6 April 2018

Exhibitions Main Exhibition

The Pier Head – Tom Wood

12 January - 25 March 2018

Past Exhibitions

Ferry Folk

11 January - 25 March 2018

Projects Past Exhibitions

Culture Shifts: Local

6 October - 22 December 2017

Past Exhibitions

Finding Fangorn

26 October - 26 November 2017

Past Exhibitions

Who We Are

22 June - 26 June 2017

Past Exhibitions

OPEN 3: AFFECTING CHANGE

7 July - 17 September 2017

Past Exhibitions

Tate Exchange Liverpool

27 November - 29 November 2016

Past Exhibitions

Jerwood/Photoworks Awards 2015

28 October - 18 December 2016

Wall Work

40 Years of Open Eye Gallery: 1977-2017

5 January 2017

Past Exhibitions

North: Identity, Photography, Fashion

6 January - 19 March 2017

Projects Past Exhibitions

Culture Shifts: Global

7 April - 18 June 2017

Projects Culture Shifts

Life Beyond Diagnosis

9 October 2016

Projects Culture Shifts

Home Is A Person/ L8: The World Lived Here

9 October 2016

Projects Culture Shifts

POSITIVE CHANGES

9 October 2016

Projects Culture Shifts

WINDS OF CHANGE

9 October 2016

Projects Culture Shifts

St Helens

9 October 2016

Projects Culture Shifts

As and When

9 October 2016

Projects Culture Shifts

Wirral: Another Language/ In The Pink Room

9 October 2016

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Culture Shifts: Global

7 April - 18 June 2017

文化轉移: 全球變動

 

How do you see your city? Can different cultures reveal new perspectives of familiar urban spaces?

Our urban landscape is shifting day by day. As the city changes, so does the way we see and use it. ‘Culture Shifts: Global’ explores these urban changes and the way we can make sense of them through photography, sharing the stories of the places where we live, work and play.

The photographs in this exhibition were all taken in either Liverpool or Hong Kong. Both cities grew out of ports; they share a rich and colourful history and an increasingly intertwining present.

On the ground floor is work by Luke Ching and Wo Bik Wong, two Hong Kong based photographers who were invited to undertake residencies in Liverpool in early 2017. These new commissions are shown alongside existing works made previously in Hong Kong. The first floor features newly commissioned work looking at housing in Hong Kong by Derek Man, a photographer born in Hong Kong but now living in the UK.

Each photographer takes a different approach to presenting urban and industrial spaces. But uniting them all is an exploration of what it means, in the 21st century, to call a city a home.

This programme is exhibition is part of LOOK/17: Liverpool International Photography Festival. The theme for this year is ‘Cities of Exchange: Liverpool/Hong Kong’.

 

Luke Ching

Room 118, Titanic Hotel, Stanley Dock, Regent Road, Liverpool, L30AN is a series of photographs created during a 10-day residency in Liverpool in January 2017. Titanic Hotel is a renovated 200-year old warehouse, a formerly industrial space converted into somewhere that people inhabit for a short time. Ching transformed an entire newly refurbished hotel room into a pinhole camera, capturing the views of the rapidly transforming docklands from each window. Like a warehouse, a hotel is transient by nature, providing a short accommodation.

 

 

Wo Bik Wong

Wo Bik Wong is one of China’s leading female photographers. She has shown internationally at over 100 exhibitions, although less frequently in the West. Wong has produced a series of photographs taken around the Port of Liverpool building alongside interiors and buildings of Hong Kong. Composite images of old colonial buildings are made to explore continuous shifts between dereliction and redevelopment towards a new identity. Through the medium of photography, Wong continues her journey of revealing international cultural and artistic issues.

 

 

Derek Man

29-year-old Derek was born in Hong Kong but has lived in the UK for the past 12 years. Commissioned by Open Eye Gallery, Derek Man re-visited Hong Kong to look at the housing market.

Between the human need for shelter and the commercial need for growth, Derek’s photos look at the lives of the people caught in this tension: from the families living in cramped conditions to the estate agents desperate to sell off land. In this cityscape and others like it, the struggle of finding stable homes for everyone grows increasingly more urgent every day.

 

 

Special thanks to University of Salford Art Collection, ILFORD PHOTO and Titanic Hotel for supporting Luke Ching’s project, and to the HK Home Affairs Bureau for their support.

 

Photos by Rob Battersby, 2017

文化轉移: 全球變動

 

How do you see your city? Can different cultures reveal new perspectives of familiar urban spaces?

Our urban landscape is shifting day by day. As the city changes, so does the way we see and use it. ‘Culture Shifts: Global’ explores these urban changes and the way we can make sense of them through photography, sharing the stories of the places where we live, work and play.

The photographs in this exhibition were all taken in either Liverpool or Hong Kong. Both cities grew out of ports; they share a rich and colourful history and an increasingly intertwining present.

On the ground floor is work by Luke Ching and Wo Bik Wong, two Hong Kong based photographers who were invited to undertake residencies in Liverpool in early 2017. These new commissions are shown alongside existing works made previously in Hong Kong. The first floor features newly commissioned work looking at housing in Hong Kong by Derek Man, a photographer born in Hong Kong but now living in the UK.

Each photographer takes a different approach to presenting urban and industrial spaces. But uniting them all is an exploration of what it means, in the 21st century, to call a city a home.

This programme is exhibition is part of LOOK/17: Liverpool International Photography Festival. The theme for this year is ‘Cities of Exchange: Liverpool/Hong Kong’.

 

Luke Ching

Room 118, Titanic Hotel, Stanley Dock, Regent Road, Liverpool, L30AN is a series of photographs created during a 10-day residency in Liverpool in January 2017. Titanic Hotel is a renovated 200-year old warehouse, a formerly industrial space converted into somewhere that people inhabit for a short time. Ching transformed an entire newly refurbished hotel room into a pinhole camera, capturing the views of the rapidly transforming docklands from each window. Like a warehouse, a hotel is transient by nature, providing a short accommodation.

 

 

Wo Bik Wong

Wo Bik Wong is one of China’s leading female photographers. She has shown internationally at over 100 exhibitions, although less frequently in the West. Wong has produced a series of photographs taken around the Port of Liverpool building alongside interiors and buildings of Hong Kong. Composite images of old colonial buildings are made to explore continuous shifts between dereliction and redevelopment towards a new identity. Through the medium of photography, Wong continues her journey of revealing international cultural and artistic issues.

 

 

Derek Man

29-year-old Derek was born in Hong Kong but has lived in the UK for the past 12 years. Commissioned by Open Eye Gallery, Derek Man re-visited Hong Kong to look at the housing market.

Between the human need for shelter and the commercial need for growth, Derek’s photos look at the lives of the people caught in this tension: from the families living in cramped conditions to the estate agents desperate to sell off land. In this cityscape and others like it, the struggle of finding stable homes for everyone grows increasingly more urgent every day.

 

 

Special thanks to University of Salford Art Collection, ILFORD PHOTO and Titanic Hotel for supporting Luke Ching’s project, and to the HK Home Affairs Bureau for their support.

 

Photos by Rob Battersby, 2017

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