Projects

Tobias Zielony — Maskirovka

27 August 2020

Projects

Save Some Space (The Time We Call Our Own Online #4)

20 August 2020

Events

Open Rooms #9 Access to Art: Who is art for?

24 September 2020

Projects

PLATFORM Issue 2: The New Normal

18 September 2020

Events

Harold Offeh: When Was the Time I Could Call My Own?

1 October 2020

Projects

Andrew Miksys — Disko (The Time We Call Our Own: Online #3)

6 August 2020

Projects

Oliver Sieber: Imaginary Club (The Time We Call Our Own: Online #2)

30 July 2020

Projects

Getting Ready: Amelia Lonsdale and Her Mum (#1)

23 July 2020

Exhibitions Open Source Exhibitions

DIGITAL WINDOW GALLERY: OPEN SOURCE #17 – SAMANTHA JAGGER

3 September - 30 September 2020

Exhibitions

you out tonight?

10 August 2020

Projects

folio20: Hugh Baird University Centre

10 August 2020

Projects

Sarah Eyre (Untitled)

10 August 2020

Projects

Activity Packs for Older People

20 July 2020

Projects

Young People + Family Activity Packs

20 July 2020

Projects

Open Rooms #3: Photographing the Internet (w/ Mishka Henner)

7 May 2020

Projects

Open Rooms #2: Separated Together

30 April 2020

Projects

Open Rooms #7: Photography Does Not Love You (Katrina Sluis w/ Jacob Bolton)

2 July 2020

Projects

Open Rooms #8: Photography and Racialisation

9 July 2020

Projects

Open Rooms #5: Class of 2020 — Seba Kurtis in conversation with Mariama Attah

18 June 2020

Projects

Love is an Action

11 June 2020

Projects

OPEN ROOMS #4: INDEPENDENT PUBLISHING W/ COLIN WILKINSON

21 May 2020

Open Eye Stories

4 May 2020

Open Rooms

4 May 2020

Exhibitions

Online Programme

15 March 2020

Exhibitions

DIGITAL WINDOW GALLERY: OPEN SOURCE #16 – PAULINA KOROBKIEWICZ

1 March - 31 March 2020

Main Exhibition Future Exhibitions

Exhibition: The Time We Call Our Own

3 September - 23 October 2020

Exhibitions Past Exhibitions

DIGITAL WINDOW GALLERY: OPEN SOURCE #15 – JONATHAN LYNCH

1 February - 29 February 2020

Projects

PLATFORM Issue 01

21 January 2020

LAUNCH: THE DARK FIGURE*

20 February - 20 February 2020

Past Exhibitions

DIGITAL WINDOW GALLERY: OPEN SOURCE #14 – SAHAN NUHOGLU

16 January 2020

Exhibitions

VISUAL RIGHTS

16 January - 22 March 2020

Exhibitions

THE DARK FIGURE*

20 February - 22 March 2020

Past Exhibitions

EXPOSED

3 April 2020

Exhibitions Past Exhibitions

DIGITAL WINDOW GALLERY: NOW, FOR THE FUTURE – OPEN SOURCE X SHUTTER HUB

1 November - 30 November 2019

Past Exhibitions

Brilliant City 中文

30 October - 16 November 2019

Tong Yan Gai — Chinatown—中文

7 October - 24 October 2019

Exhibitions

HE 中文

17 October - 21 December 2019

Exhibitions

JUMP! 中文

4 October - 26 October 2019

Exhibitions

A Room of Our Own: a Fast Forward Women in Photography Exhibition 中文

17 October - 21 December 2019

Exhibitions

DINU LI: ANATOMY OF PLACE — (中文)

17 October - 21 December 2019

Exhibitions

Peer to Peer 中文

17 October - 22 December 2019

Exhibitions Past Exhibitions

DIGITAL WINDOW GALLERY: OPEN SOURCE 12 – KATHY ANNE LIM

1 October - 31 October 2019

Past Exhibitions

LOOK PHOTO BIENNIAL / SATELLITE

17 October - 21 December 2019

Past Exhibitions

JUMP! — Curated by Sian Bonnell

4 October - 26 October 2019

Past Exhibitions

UCLan: Brilliant City

30 October - 16 November 2019

Exhibitions Past Exhibitions

Derek Man & Tobias Brebner: Tong Yan Gai — Chinatown

7 October - 24 October 2019

Past Exhibitions

YAN WANG PRESTON: HE

17 October - 21 December 2019

Past Exhibitions

A Room of Our Own: a Fast Forward Women in Photography Exhibition

17 October - 21 December 2019

Past Exhibitions

Dinu Li: The Anatomy of Place

17 October - 21 December 2019

Past Exhibitions

NORTH: FASHIONING IDENTITY

14 September - 21 December 2019

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Culture Shifts: Global

7 April - 18 June 2017

文化轉移: 全球變動

 

How do you see your city? Can different cultures reveal new perspectives of familiar urban spaces?

Our urban landscape is shifting day by day. As the city changes, so does the way we see and use it. ‘Culture Shifts: Global’ explores these urban changes and the way we can make sense of them through photography, sharing the stories of the places where we live, work and play.

The photographs in this exhibition were all taken in either Liverpool or Hong Kong. Both cities grew out of ports; they share a rich and colourful history and an increasingly intertwining present.

On the ground floor is work by Luke Ching and Wo Bik Wong, two Hong Kong based photographers who were invited to undertake residencies in Liverpool in early 2017. These new commissions are shown alongside existing works made previously in Hong Kong. The first floor features newly commissioned work looking at housing in Hong Kong by Derek Man, a photographer born in Hong Kong but now living in the UK.

Each photographer takes a different approach to presenting urban and industrial spaces. But uniting them all is an exploration of what it means, in the 21st century, to call a city a home.

This programme is exhibition is part of LOOK/17: Liverpool International Photography Festival. The theme for this year is ‘Cities of Exchange: Liverpool/Hong Kong’.

 

Luke Ching

Room 118, Titanic Hotel, Stanley Dock, Regent Road, Liverpool, L30AN is a series of photographs created during a 10-day residency in Liverpool in January 2017. Titanic Hotel is a renovated 200-year old warehouse, a formerly industrial space converted into somewhere that people inhabit for a short time. Ching transformed an entire newly refurbished hotel room into a pinhole camera, capturing the views of the rapidly transforming docklands from each window. Like a warehouse, a hotel is transient by nature, providing a short accommodation.

 

 

Wo Bik Wong

Wo Bik Wong is one of China’s leading female photographers. She has shown internationally at over 100 exhibitions, although less frequently in the West. Wong has produced a series of photographs taken around the Port of Liverpool building alongside interiors and buildings of Hong Kong. Composite images of old colonial buildings are made to explore continuous shifts between dereliction and redevelopment towards a new identity. Through the medium of photography, Wong continues her journey of revealing international cultural and artistic issues.

 

 

Derek Man

29-year-old Derek was born in Hong Kong but has lived in the UK for the past 12 years. Commissioned by Open Eye Gallery, Derek Man re-visited Hong Kong to look at the housing market.

Between the human need for shelter and the commercial need for growth, Derek’s photos look at the lives of the people caught in this tension: from the families living in cramped conditions to the estate agents desperate to sell off land. In this cityscape and others like it, the struggle of finding stable homes for everyone grows increasingly more urgent every day.

 

 

Special thanks to University of Salford Art Collection, ILFORD PHOTO and Titanic Hotel for supporting Luke Ching’s project, and to the HK Home Affairs Bureau for their support.

 

Photos by Rob Battersby, 2017

文化轉移: 全球變動

 

How do you see your city? Can different cultures reveal new perspectives of familiar urban spaces?

Our urban landscape is shifting day by day. As the city changes, so does the way we see and use it. ‘Culture Shifts: Global’ explores these urban changes and the way we can make sense of them through photography, sharing the stories of the places where we live, work and play.

The photographs in this exhibition were all taken in either Liverpool or Hong Kong. Both cities grew out of ports; they share a rich and colourful history and an increasingly intertwining present.

On the ground floor is work by Luke Ching and Wo Bik Wong, two Hong Kong based photographers who were invited to undertake residencies in Liverpool in early 2017. These new commissions are shown alongside existing works made previously in Hong Kong. The first floor features newly commissioned work looking at housing in Hong Kong by Derek Man, a photographer born in Hong Kong but now living in the UK.

Each photographer takes a different approach to presenting urban and industrial spaces. But uniting them all is an exploration of what it means, in the 21st century, to call a city a home.

This programme is exhibition is part of LOOK/17: Liverpool International Photography Festival. The theme for this year is ‘Cities of Exchange: Liverpool/Hong Kong’.

 

Luke Ching

Room 118, Titanic Hotel, Stanley Dock, Regent Road, Liverpool, L30AN is a series of photographs created during a 10-day residency in Liverpool in January 2017. Titanic Hotel is a renovated 200-year old warehouse, a formerly industrial space converted into somewhere that people inhabit for a short time. Ching transformed an entire newly refurbished hotel room into a pinhole camera, capturing the views of the rapidly transforming docklands from each window. Like a warehouse, a hotel is transient by nature, providing a short accommodation.

 

 

Wo Bik Wong

Wo Bik Wong is one of China’s leading female photographers. She has shown internationally at over 100 exhibitions, although less frequently in the West. Wong has produced a series of photographs taken around the Port of Liverpool building alongside interiors and buildings of Hong Kong. Composite images of old colonial buildings are made to explore continuous shifts between dereliction and redevelopment towards a new identity. Through the medium of photography, Wong continues her journey of revealing international cultural and artistic issues.

 

 

Derek Man

29-year-old Derek was born in Hong Kong but has lived in the UK for the past 12 years. Commissioned by Open Eye Gallery, Derek Man re-visited Hong Kong to look at the housing market.

Between the human need for shelter and the commercial need for growth, Derek’s photos look at the lives of the people caught in this tension: from the families living in cramped conditions to the estate agents desperate to sell off land. In this cityscape and others like it, the struggle of finding stable homes for everyone grows increasingly more urgent every day.

 

 

Special thanks to University of Salford Art Collection, ILFORD PHOTO and Titanic Hotel for supporting Luke Ching’s project, and to the HK Home Affairs Bureau for their support.

 

Photos by Rob Battersby, 2017

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