Events

Sustainability – Climate Change and the impact from Industry

17 May 2022

Open Source Exhibitions

Open Source #22: Bags For Life – Luke Saxon

1 May - 31 May 2022

Exhibitions Past Exhibitions

VR: LOOK Climate Lab 2022

13 January - 20 March 2022

Past Events

An evening with Maytree Poets

28 April 2022

Past Events Events

Recovery in Focus & Inside Stories

14 May 2022

Past Events

Homo Humour film screening & Q&A

7 May 2022

Events

Painting the Mersey in 17 Canvases Coast to Coast to Coast

21 May 2022

Exhibitions Open Source Exhibitions

Open Source #21: Ancestral Folk – Eunice Pais

1 April - 30 April 2022

Exhibitions Main Exhibition

Follow The River, Follow The Thread

1 April - 12 June 2022

Exhibitions

Saturday Girl About Town at Castlefield Gallery New Art Spaces: Wigan

28 January 2022

Past Exhibitions

WE

31 March - 1 May 2022

Past Events

Who Cares? – Symposium exploring the role of art & design in health & care

26 April 2022

Past Events

Socially Engaged Photography Network: North West regional meet up event ‘Co-authoring the Collection’ 

28 April 2022

HOPE COMMUNITY GARDEN/ FEEDING LIVERPOOL: REIMAGINING YOUR FUTURE FOOD NEIGHBOURHOOD

9 March 2022

SESSION 3: DERELICTION TO DELICIOUS

11 March 2022

PELOTON COOP: JOY RIDE

18 March 2022

Exhibitions

DIGITAL WINDOW GALLERY: Grow Your Own

23 February - 20 March 2022

Taking Root Bootle – Growing on the Streets: Involving local residents In greening up public spaces

10 March 2022

Liverpool Food Growers Network: Panel Discussion

12 March 2022

Past Events

ECOSYSTEM 2: OPEN CALL FOR PARTICIPANTS

19 February - 20 March 2022

SCOUSE FLOWERHOUSE

2 March - 5 March 2022

Session 3: Windowsill Growing with Croxteth Community Garden

12 March 2022

Taster Menu

11 March 2022

Session 2: Dereliction to delicious

11 March 2022

Session 2: Introduction to beekeeping

11 March 2022

Session 1: Dereliction to delicious

11 March 2022

Session 1: Introduction to Beekeeping

11 March 2022

Session 2: Windowsill Growing with Croxteth Community Garden

10 March 2022

Session 2: Relax and Grow

10 March 2022

Session 1: Windowsill Growing with Croxteth Community Garden

10 March 2022

Session 1: Relax and Grow

10 March 2022

Compost Works – An Introduction into Composting

9 March 2022

Hope Community Garden/ Feeding Liverpool: Reimagining your Future Food Neighbourhood

9 March 2022

Liverpool Food Growers Network: Rethinking our Food System

9 March - 12 March 2022

Exhibitions Past Exhibitions

VR: NOVUS: Restricted Views – Creative Outlooks

1 December - 12 December 2021

Exhibitions Past Exhibitions

VR: Collective Matters

1 October - 12 December 2021

Exhibitions

Digital Window Gallery: On the Brink

27 January - 19 March 2022

Exhibitions Open Source Exhibitions

Open Source #20: Matt Dunne

9 February - 28 February 2022

Arts Groupie Workshops

26 February - 19 March 2022

TREE: Live Storytelling Session

19 March 2022

Horti-Culture Sharing Sessions with Arts Groupie and Incredible Edible

19 March - 9 March 2022

Liver Bird Safari with Arts Groupie

26 February - 26 February 2022

Past Events

Shop the Look Project with Emma Summerscales Open studio

11 February 2022

Mersey Green Map

4 February - 14 March 2022

Climate Cafés

26 January - 9 March 2022

Growing Sudley CIC: Nature’s Apothecary Workshops

23 January - 6 March 2022

Cyanotype Workshop with Edd Carr

25 February 2022

Read Now Write Now: Climate Champions Writing Workshops

30 January - 17 March 2022

Hope and Fear

25 January - 30 March 2022

Past Events

Peloton Liverpool Cooperative

16 February - 18 February 2022

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Liverpool Biennial 2021: The Stomach and the Port

19 May - 6 June 2021

OPEN WEDNESDAY – SUNDAY, 11 – 4. SEE DISTANCING GUIDELINES HERE

Liverpool Biennial 2021: The Stomach and the Port draws on non-Western ways of thinking to explore notions of the body, challenging an understanding of the individual as a defined, self-sufficient entity. The Stomach and the Port develops through three entry points – stomach, porosity and kin. The stomach is viewed as a primary organ engaging with the world. Porosity is embraced as a way of responding to borders or the strict contours of the skin. The notion of kin is revisited as a social tissue that prepares us for abundant futures. Liverpool, and its maritime history as a point of global contact and circulation, provides the perfect ecosystem to situate these enquiries.

The Port of Liverpool is at the heart of this Biennial. The transatlantic movement of enslaved people haunts the city’s past while the repercussions of these experiences are still felt across the world today. This trade in commodified human beings and goods, such as sugar and cotton, was part of a global project of modernity dependent upon exploitation. The two artists showcased in our gallery, Zineb Sedira and Alberta Whittle, both engage with these long histories, showing us how different forms of the past exist in our present moment.

Zineb Sedira

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Zineb Sedira’s works, from her Sugar Routes (2013) series, recount the history of transoceanic slavery and forced migration, the triangular trade routes of the eighteenth and nineteenth centuries and the continued trade of sugar across the Atlantic for mass consumption. Sedira’s photographic prints depict sugar extracted from different parts of the world housed in a modern warehouse in the French port city of Marseille. The mountainous piles of sugar present a landscape of extraction where multiple geographies convene and merge with one another; the warehouse becoming an in-between space of encounter before the sugar is processed for consumption. Juxtaposed with two sculptures of an anchor and propeller made from cane sugar found in the French silo, the works act as a metaphor for migration and diaspora.

Commissioned by Marseille Provence 2013, European Capital of Culture and The Port of Marseille.

Alberta Whittle

Alberta Whittle’s film, between a whisper and a cry (2019), also reflects upon these oceanic routes and worldview, hinging on memory, labour and the afterlives of colonialism in our contemporary world. The film is based on Barbadian poet and historian Kamau Brathwaite’s (1930–2020) idea of tidalectics, a way of thinking about the world and identity that draws on oceans and movement, rather than being fixed in a specific country or place. It brings together happenings and events, narrative texts and voices, using sound and oral histories as forms of knowledge. Weather is an important visual and audio element of the film, referencing the legacy of colonial extraction as the starting point for present-day climate instability in the Caribbean, while drawing parallels with the exploitation inherent within the contemporary tourist industry. For Whittle, understanding the past becomes the foundation for moving towards present-day healing and nurturing. Through the film, viewers are encouraged to synchronise their bodies to the rhythm of Whittle’s breathing and the conditions of ocean life, invoking a sense of compassion, kinship, groundedness and understanding within one’s own body.

Images: Zineb Sedira, Sugar Routes I, 2013

Alberta Whittle, between a whisper and a cry (film still), 2019

OPEN WEDNESDAY – SUNDAY, 11 – 4. SEE DISTANCING GUIDELINES HERE

Liverpool Biennial 2021: The Stomach and the Port draws on non-Western ways of thinking to explore notions of the body, challenging an understanding of the individual as a defined, self-sufficient entity. The Stomach and the Port develops through three entry points – stomach, porosity and kin. The stomach is viewed as a primary organ engaging with the world. Porosity is embraced as a way of responding to borders or the strict contours of the skin. The notion of kin is revisited as a social tissue that prepares us for abundant futures. Liverpool, and its maritime history as a point of global contact and circulation, provides the perfect ecosystem to situate these enquiries.

The Port of Liverpool is at the heart of this Biennial. The transatlantic movement of enslaved people haunts the city’s past while the repercussions of these experiences are still felt across the world today. This trade in commodified human beings and goods, such as sugar and cotton, was part of a global project of modernity dependent upon exploitation. The two artists showcased in our gallery, Zineb Sedira and Alberta Whittle, both engage with these long histories, showing us how different forms of the past exist in our present moment.

Zineb Sedira

null

Zineb Sedira’s works, from her Sugar Routes (2013) series, recount the history of transoceanic slavery and forced migration, the triangular trade routes of the eighteenth and nineteenth centuries and the continued trade of sugar across the Atlantic for mass consumption. Sedira’s photographic prints depict sugar extracted from different parts of the world housed in a modern warehouse in the French port city of Marseille. The mountainous piles of sugar present a landscape of extraction where multiple geographies convene and merge with one another; the warehouse becoming an in-between space of encounter before the sugar is processed for consumption. Juxtaposed with two sculptures of an anchor and propeller made from cane sugar found in the French silo, the works act as a metaphor for migration and diaspora.

Commissioned by Marseille Provence 2013, European Capital of Culture and The Port of Marseille.

Alberta Whittle

Alberta Whittle’s film, between a whisper and a cry (2019), also reflects upon these oceanic routes and worldview, hinging on memory, labour and the afterlives of colonialism in our contemporary world. The film is based on Barbadian poet and historian Kamau Brathwaite’s (1930–2020) idea of tidalectics, a way of thinking about the world and identity that draws on oceans and movement, rather than being fixed in a specific country or place. It brings together happenings and events, narrative texts and voices, using sound and oral histories as forms of knowledge. Weather is an important visual and audio element of the film, referencing the legacy of colonial extraction as the starting point for present-day climate instability in the Caribbean, while drawing parallels with the exploitation inherent within the contemporary tourist industry. For Whittle, understanding the past becomes the foundation for moving towards present-day healing and nurturing. Through the film, viewers are encouraged to synchronise their bodies to the rhythm of Whittle’s breathing and the conditions of ocean life, invoking a sense of compassion, kinship, groundedness and understanding within one’s own body.

Images: Zineb Sedira, Sugar Routes I, 2013

Alberta Whittle, between a whisper and a cry (film still), 2019

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