Future Exhibitions

DIGITAL WINDOW GALLERY: OPEN SOURCE #16 – PAULINA KOROBKIEWICZ

1 March - 31 March 2020

Events

Launch Night: The Time We Call Our Own

2 April 2020

Main Exhibition Future Exhibitions

The Time We Call Our Own

3 April - 31 May 2020

Events

Photography Course: Photography and Control

5 March - 5 March 2020

Events

PORTFOLIO CLUB

23 February - 23 February 2020

Events

OPEN SOURCE IN CONVERSATION: JONATHAN LYNCH

29 February - 29 February 2020

Exhibitions

DIGITAL WINDOW GALLERY: OPEN SOURCE #15 – JONATHAN LYNCH

1 February - 29 February 2020

Projects

PLATFORM Issue 01

21 January 2020

Events

LAUNCH: THE DARK FIGURE*

20 February - 20 February 2020

Past Exhibitions

DIGITAL WINDOW GALLERY: OPEN SOURCE #14 – SAHAN NUHOGLU

16 January 2020

Events

TALK: THE IMAGE OF WHITENESS WITH DANIEL C. BLIGHT

12 March - 12 March 2020

Exhibitions

VISUAL RIGHTS

16 January - 22 March 2020

Future Exhibitions

THE DARK FIGURE*

20 February - 22 March 2020

Past Exhibitions

EXPOSED

12 December - 5 February 2020

Exhibitions Past Exhibitions

DIGITAL WINDOW GALLERY: NOW, FOR THE FUTURE – OPEN SOURCE X SHUTTER HUB

1 November - 30 November 2019

Brilliant City 中文

30 October - 16 November 2019

Exhibitions

Tong Yan Gai — Chinatown—中文

7 October - 24 October 2019

Exhibitions

HE 中文

17 October - 21 December 2019

Exhibitions

JUMP! 中文

4 October - 26 October 2019

Exhibitions

A Room of Our Own: a Fast Forward Women in Photography Exhibition 中文

17 October - 21 December 2019

Exhibitions

DINU LI: ANATOMY OF PLACE — (中文)

17 October - 21 December 2019

Exhibitions

Peer to Peer 中文

17 October - 22 December 2019

Exhibitions Past Exhibitions

DIGITAL WINDOW GALLERY: OPEN SOURCE 12 – KATHY ANNE LIM

1 October - 31 October 2019

LOOK PHOTO BIENNIAL / SATELLITE

17 October - 21 December 2019

JUMP! — Curated by Sian Bonnell

4 October - 26 October 2019

UCLan: Brilliant City

30 October - 16 November 2019

Exhibitions

Derek Man & Tobias Brebner: Tong Yan Gai — Chinatown

7 October - 24 October 2019

Exhibitions

YAN WANG PRESTON: HE

17 October - 21 December 2019

Exhibitions

A Room of Our Own: a Fast Forward Women in Photography Exhibition

17 October - 21 December 2019

Exhibitions

Dinu Li: The Anatomy of Place

17 October - 21 December 2019

Past Exhibitions

NORTH: FASHIONING IDENTITY

14 September - 21 December 2019

Past Exhibitions

Peer to Peer

17 October - 22 December 2019

Past Exhibitions

SIXTEEN at Ellesmere Port Library

19 September - 27 September 2019

WE ARE KIRKBY

23 September - 16 November 2019

Past Exhibitions

DIGITAL WINDOW GALLERY: OPEN SOURCE 11 – NATHAN CUTLER

1 September - 30 September 2019

Exhibitions Past Exhibitions

DIGITAL WINDOW GALLERY: OPEN SOURCE 10 – JOCELYN ALLEN

1 August - 31 August 2019

Exhibitions

A Portrait Of…

2 August - 29 September 2019

Exhibitions Past Exhibitions

DIGITAL WINDOW GALLERY: OPEN SOURCE 09 – ARABELLE ZHUANG

1 July - 31 July 2019

Past Exhibitions

Close Attention

11 July - 21 July 2019

Exhibitions Past Exhibitions

New York Scene/Unseen: Keith Haring and Friends

14 June - 7 July 2019

Past Exhibitions

DIGITAL WINDOW GALLERY: OPEN SOURCE 08 – DENISA N. MOLNAR

1 June - 30 June 2019

Exhibitions

DIGITAL WINDOW GALLERY: TRANSFORMATIVE MOMENTS – STEPHANIE WYNNE

1 April - 7 July 2019

Past Exhibitions

DIGITAL WINDOW GALLERY: OPEN SOURCE 07 – MARIE SMITH

1 May - 31 May 2019

Projects

VR — Wake Up Together (Ren Hang & Where Love is Illegal)

23 April 2019

Exhibitions

Belonging: Students of Whitby High School

18 April - 28 April 2019

Exhibitions Past Exhibitions

DIGITAL WINDOW GALLERY: OPEN SOURCE 06 – MARIA ANSELL

1 April - 30 April 2019

Past Exhibitions

DIGITAL WINDOW GALLERY: OPEN SOURCE 05 – ELIZABETH GLEAVE

1 March - 31 March 2019

Past Exhibitions

DIGITAL WINDOW GALLERY: OPEN SOURCE 04 – LEIA MORRISON

1 February - 28 February 2019

Past Exhibitions

Here And Now

19 February - 23 February 2019

Exhibitions

PAULINE ROWE & DAVE LOCKWOOD – THE ALLOTMENTS

29 August - 28 September 2019

Close
Close

Chris Steele-Perkins: The Pleasure Principle

5 November - 23 December 2011

“England is a strange place – funny, complex and sad. Distance yourself from it, experience other cultures, then look again. That strangeness becomes almost overwhelming.” Chris Steele-Perkins

The Pleasure Principle is a powerful and searching photographic portrait of England in the 1980s. Chris Steele-Perkins records the rapidly changing social landscape that he found after returning from extensive travels in the third world. Using ideas of pleasure he explores public rituals that cut across class and location. The result is familiar yet disturbing.

Steele-Perkins also explores his complex relationship with the country he’d grown up in but had never fully felt part of. His father was English, a military officer who abandoned his Burmese mother and brought him back to England at an early age. In his introduction to his 1989 book of The Pleasure Principle he wrote “I suppose that if you are not entirely white, you are never entirely British”.

Steele-Perkins moved from Rangoon to London with his father in 1949. He studied psychology at Newcastle University (1967-70) before moving to London in 1971 where he worked as a freelance photographer. He worked extensively in Britain and abroad throughout the 1970s, and in 1979 published his first book, The Teds. He joined Magnum in the same year and began working on projects in the third world. He continues to work on large-scale projects in the UK and abroad.

Chris Steele-Perkins is represented by Magnum Photos, London.

“England is a strange place – funny, complex and sad. Distance yourself from it, experience other cultures, then look again. That strangeness becomes almost overwhelming.” Chris Steele-Perkins

The Pleasure Principle is a powerful and searching photographic portrait of England in the 1980s. Chris Steele-Perkins records the rapidly changing social landscape that he found after returning from extensive travels in the third world. Using ideas of pleasure he explores public rituals that cut across class and location. The result is familiar yet disturbing.

Steele-Perkins also explores his complex relationship with the country he’d grown up in but had never fully felt part of. His father was English, a military officer who abandoned his Burmese mother and brought him back to England at an early age. In his introduction to his 1989 book of The Pleasure Principle he wrote “I suppose that if you are not entirely white, you are never entirely British”.

Steele-Perkins moved from Rangoon to London with his father in 1949. He studied psychology at Newcastle University (1967-70) before moving to London in 1971 where he worked as a freelance photographer. He worked extensively in Britain and abroad throughout the 1970s, and in 1979 published his first book, The Teds. He joined Magnum in the same year and began working on projects in the third world. He continues to work on large-scale projects in the UK and abroad.

Chris Steele-Perkins is represented by Magnum Photos, London.

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