Exhibitions

JOURNEY TO EDEN @ DIGITAL WINDOW GALLERY

6 May - 12 May 2024

Events

MARRIAGE (IN)EQUALITY IN UKRAINE. Screening and a panel discussion

9 May 2024

Events

Casey Orr artist talk and SEPN North West meet-up

18 May 2024

Events

Poetry reading: Coast to Coast to Coast

11 May 2024

Exhibitions

National Pavilion of Ukraine @ Venice Biennale

20 April - 24 November 2024

Exhibitions

Open Source 28: Sam Patton – Room to Breathe @ Digital Window Gallery

10 April - 18 May 2024

Exhibitions

Forward, Together @ Wigan & Leigh Archives, Leigh Town Hall

23 March - 28 September 2024

Exhibitions

As She Likes It: Christine Beckett @ The Rainbow Tea Rooms, Chester

1 March - 30 June 2024

Exhibitions

Shifting Horizons @ Digital Window Gallery

27 March - 31 March 2024

PLATFORM: ISSUE 6

26 March 2024

Past Events

Saturday Town: Launch Event

10 April 2024

Exhibitions

Saturday Town

11 April - 18 May 2024

Past Events

PLATFORM: ZINE LAUNCH EVENT

21 March 2024

Home. Ukrainian Photography, UK Words: Tour

4 March - 28 February 2025

Exhibitions

Home: Ukrainian Photography, UK Words @ New Adelphi

4 March - 8 March 2024

Past Events

CREATIVE SOCIAL: IN THE ABSENCE OF FORMAL GROUND

2 March 2024

Exhibitions

We Feed The UK @ Exterior Walls

8 February - 31 March 2024

Past Events

Contrail Cirrus: the impact of aviation on climate change

7 March 2024

Exhibitions

Tree Story @ Liverpool ONE

16 February - 1 May 2024

Open Source #27: Saffron Lily – In The Absence of Formal Ground @ Digital Window Gallery

6 February - 31 March 2024

Past Events

Contemporary Photography from Ukraine: Symposium @University of Salford

4 March - 5 March 2024

Past Events

Is Anybody Listening? Symposium: Commissioning and Collecting Socially Engaged Photography

29 February 2024

Past Events

Different approaches: Artists working with scientists

15 February 2024

Past Events

LOOK Climate Lab 2024: All Events

18 January 2024

Exhibitions

Diesel & Dust @ Digital Window Gallery

18 January - 31 March 2024

Events

Tree Walks Of Sefton Park with Andrea Ku

21 January 2024

Past Events

Artists Remake the World by Vid Simoniti: Book Launch

31 January 2024

Past Events

Shift Liverpool Open Meeting

6 February 2024

Past Events

We Feed The UK Launch and LOOK Climate Lab 2024 Celebration

8 February 2024

Past Events

Cyanotype workshop with Melanie King

17 February 2024

Past Events

End of Empire: artist talk and discussion

22 February 2024

Past Events

Book Launch: What The Mine Gives, The Mine Takes

24 February 2024

Past Events

Local ecology in the post-industrial era: open discussion

14 March 2024

Past Events

Waterlands: creative writing workshop

23 March 2024

Past Events

Plant a seed. Seed sow and in conversation with Plot2Plate

16 March 2024

Past Events

Erosion: panel discussion

9 March 2024

Past Events

Waterlands: an evening of poetry and photographs

23 March 2024

Past Events

Force For Nature Exhibition

27 March - 28 March 2024

Voices of Nature: Interactive Performances

28 March 2024

Past Events

Sum of All Parts: Symposium

27 February 2024

Exhibitions Main Exhibition

LOOK Climate Lab 2024

18 January - 31 March 2024

Past Events

MA Socially engaged photography Open Day event

1 February 2023

Past Events

Tish: Special screening and Q&A

13 December 2023

Past Events

Book Launch: A Look At A New Perspective

23 November 2023

Past Events

Community workshops @ Ellesmere Port Library

6 November - 5 February 2024

Past Events

Book Launch: ‘544m’ By Kevin Crooks

30 November 2023

Past Exhibitions

Bernice Mulenga @ Open Eye Gallery Atrium Space

17 November - 17 December 2023

Past Events

Bernice Mulenga: Artist Talk

18 November 2023

Past Exhibitions

Local Roots @ The Atkinson

14 October 2023

Exhibitions

Community @ Ellesmere Port Library

26 October - 11 April 2024

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The Red Queen by Corey Estensen

This story was written and shared as part of the Read Now Write Now workshops which took place during the Look Climate Lab 2022. To find out more about Read Now Write Now, click here.

I am two hundred years old. I am the Queen of the forest, and of this Park. I know my Latin name, Fagus Sylvaticus, although  the tiny creatures who tend and chop my branches and keep my trunk free from brambles and deer, call me “Beech”. I don’t mind this name, it preserves the mystery of my ancient connection to the old God, Fagus. He and I helped the tiny creatures, in their travails in bringing new creature-seedlings into the world. They made medicinal teas from my leaves, and prayed to me, to make their birthings easy. As one should, to a Queen.

Fagus was particularly fond of the tiny creatures with red hair; and when he chose the white-robed priests to make obeisance to me, they were often red-headed. Ah, that was long in the past of me and my ancestors; but I feel the connection still, with the creatures who owned the parkland where I stand rooted: they owned it for three quarters of my long life. So many of these creatures, called ‘Egerton’, were red-headed, too; and I liked to see them ride past under my swaying branches, so close that I could almost reach out a leafy twig and touch them.

I am two hundred years old. I stand in a long line of my noble brothers and sisters, double-planted, to make what the tiny creatures call a ‘Drive’. We have been spaced apart to give us room to grow tall and strong. Our trunks have been pruned to show our straight, smooth bark-skins to their best advantage, and to allow our green canopies to spread and form impressive helmets of green. Not all of my siblings are as old and well-formed as me, many are younger and have been planted to fill the gaps as my first relatives passed on. But I remained, the Queen of them all.

I have seen so many changes, but I did not anticipate the change which has sundered my great trunk and felled my winter branches; which has ripped my upper roots from the soil and tossed me onto my side like a broken plaything.

I have weathered so many storms and winters, learning, with each season, to send my anchor roots deep into the soil, bending with the tempest. Underneath the grass, deep in the underworld, my delicate network of roots are complex, intermingled and interdependent on chains of fungi roots and bacterial spores, mixed with the outlying roots of my woody neighbours. We communicate to each other. There is a precise balance to be maintained, as important as my straight and upright posture. Our root systems, as delicate as filaments, are sensitively attuned to change, and we are constantly talking to each other. I am a Queen, but I am not alone in splendid isolation: I am part of a great grid of natural things, and I have listened and adapted.

But recently, the storms have grown stronger and more frequent; and the winters have been mild and wet, loosening the soil to a greater depth. Then two fierce storms arrived; one after the other, in the space of a week, together with so much rain. I tried to cling on, buffeted by a fierce north wind: but in the end, my grip loosened, I felt the change in the camber of my mooring; I felt the ground being wrenched apart. With a dreadful, ear-splitting crack, my heart wood broke, low down at my base, and I fell, my trunk falling square across the ‘Drive’.

With that rending, with all my core exposed, I am dying. But that is only part of the process of what I know will follow. In endings, there can be beginnings.

When the storm had passed, the tiny creatures gathered around my great fallen mass. I understood, in a way, their fear and concern. They were afraid of the changes in the Park, and that things would never be the same again.

I am two hundred years old. I have witnessed so much. I remember, when I was but half my present age, when black sooty smoke blew in on the wind from the place the tiny creatures called ‘the City of Manchester’. It was their new religion: instead of worshipping me, they started to worship something called ‘Money’. But the by-products of Money were dirty, and toxic. The soot settled on everything in the Park, coating our bark-skin and choking us of light and oxygen. It began to poison us. My noble relations the Oaks were much affected; many died.

I adapted. I learned to re-balance myself, to adjust the chemical process of what I absorbed during the day, in order to continue to release my own oxygen at night. I slowed my growth, learned to conserve my energy. The rain was my friend, then; it washed the soot away. And the tiny creatures learned, too, but more slowly. Gradually, gradually, they stopped burning the ancient bones of my long-dead ancestors in sharp black lumps. The air cleared, and the soot stopped falling; and I survived.

And I shall live again, although not as the Queen that I once was. I shall pass my ancestry on, ensure my kind survives, for in my passing, as the canopy along my Royal avenue is opened to the sky, tiny seedlings from the mast of my last summer flowering will get their chance. We Fagus Sylvaticus will endure! My offspring will grow up towards the sunlight, genetically imprinted with all that I have learned in my two hundred year reign. They will know to dig their roots even deeper than mine; they will be primed to siphon up the excess moisture in the soil, to prevent it destabilising their grasp on the land.

The tiny creatures will help too, I sense it. As the life drains away from me, I know that they will look to plant the strongest, the most adaptive, seedlings from my kind. They will help to continue our regal lineage. Their efforts, entwined with my seedlings, is a different  kind of offering to the ones their white-robed ancestors made, so many centuries ago. But it is still a kind of offering, don’t you think?

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